
A totally usual and casual nu-jazz album, like it’s 2004, the high times of Dzihan & Kamien, Jazzanova, Herbert et al. And !K7 still lives this era by releasing such a record in 2015.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

A totally usual and casual nu-jazz album, like it’s 2004, the high times of Dzihan & Kamien, Jazzanova, Herbert et al. And !K7 still lives this era by releasing such a record in 2015.

Deep, melodic, thumping. An exquisite journey into your subconscious, through dark places and dreams.

I added this one to my playlist a few days ago and since then I haven’t listened to anything else just keep hitting replay. A captivating experience of deep space ambient, groaning noises and ethereal voices.
Amon Tobin himself has some things to add:
“I made these tracks a year or two ago after binge-watching space exploration films. People have, from time to time, described things I’ve done as “scores for imaginary movies,” which has always irritated me, but on this occasion it’s sort of true.
Even so, what I was really trying to do was to interpret a sense of scale, like moving towards impossibly giant objects until they occupy your whole field of vision, planets turning, or even how it can feel just looking up at night.”

So soft, so caring, embracing, music to be hold by.

The other day Rdio was slow on the stream and nowadays these are the moments when I dig up some old favorite records to listen to. So this is how I revisited Parker’s debut long player on Mo Wax. I so much love everything about it and has this deep personal touch that I feel with a select few of albums, like Grooverider’s Mysteries Of Funk for example.
Kiss My Arp is also a stunningly melodic experience. I have Andrea Parker in my mind as the queen of this dry, lean, cold break electro, and probably that’s adequate for many of her compositions. But Kiss My Arp is definitely something much better filled with life and perfectly matches the late-90′s line-up of Mo Wax with its trip-hop sounds and moods.

It’s hard to say wether this album is something or not, either concerning genre or quality. There is a hint of DM meets Twin Peaks ambient mood, tense beat with synth, soundtrack atmosphere, deep pumping, and all else. This is rather like a personal collection of stuff laying around and being collected for some time I guess.

Beautiful ambient soundscapes, triphopish tempo and grain, IDM electronics.

Slow to mid tempo music, glitchy electronic, girl sings, melancholic. I rarely listen to music like this nowadays but Khoiba just reoccured to me right now.

This is quite fucked up. I wasn’t expecting this surprising level of experimentation.

All different kinds of electronic underground explorations from breaks to techno. What is exceptionally exciting is the HTH020 remix called ‘The Haxan Cloak’s Cloud of Witness’, which starts off a bit intimidating but builds up into some kind of elemental orchestrated rhythmic noise masterpiece in a manner of Fuck-Buttons-meets-post-rock-with-electronics.