Lot of stuff from the past few decades mashed together and it is a blast. In a way it’s like watching Stranger Things: it draws pretty direct inspiration from certain sources but still creates something for the now that I can interpret as the product of today. This music is many things from leftfield through techno to breakbeat, but it couldn’t have been written in those past eras because we needed to take that journey and get to the now with all these stuff in our heads to have this mash-up today. I am probably over-explaining this for the RA review that I’ve just read which lacks originality. Anyway, I don’t. I think FJAAK is unique in the blend it creates. It sounds like the soundtrack of me growing up. And I would absolutely love to listen to their selection in a party setting.
Against All Logic – 2012-2017
House music for the day and night. Mostly carefree soulful cruising for when the sun is high, but some tracks are for the night time outdoors dance field with torches burning. This is pretty good, many flavors but all great vibes.
Modeselektor – Wealth
Just like recently going through everything Booka Shade in 2018, I did now the same with Modeselektor. They were not that productive, but the 4th Modeselektion is still not bad, and my favorite of the year was Wealth. Reminds me of the heavy-hitting flow that took me by surprise when The Dark Side of the Sun appeared.
CUTS – A Gradual Decline
Melancholic, part wondering, part sharp and penetrating, electronic with a shoegaze attitude. And a powerful concept: “addresses the planet’s current fragility using actual field recordings of ice collapsing from glaciers.”
Estrons – You Say I’m Too Much, I Say You’re Not Enough
They say alternative, NME says punk, and this is my idea of good indie rock. And a blast first record.
Booka Shade – Cut The Strings
I listened to all Booka Shade releases of 2018 just recently in the year after and there was quite a bit of output to dig through. Cut The Strings was the long player of the year, and a brilliant and beatiful album at that. But there was a long list of EPs, too, with mixed feelings but definitely more pros than cons. I can totally vouch for all the remix EPs from the LP, and the Quantum Leap and Rosebud EPs.
Sorry to Bother You (2018)
The most surprising movie of 2018 for sure. It was surrealistic, completely mindfuck, unexpected, and a great experience as a flick. Also made a well articulated point as social narrative.
On a different note: I haven’t heard of The Coup before. WTF?! It is a perfect friend of everything RATM, and I know Street Sweeper Social Club well, so I know the voice of Boots Riley just fine. I just haven’t heard of his original band before. So now I’m on a Coup listening spree, obviously. Although I haven’t really got through re-listening the movie soundtrack several times.
Another note: Tessa Thompson. I’m just getting into her so much. (Mean this the right way.) I first came across her in Westworld – great character, first seldom enough appearances to be mystical, then when being more active another kind of mystique. In Thor she was badass. In Annihilation she was not a driving force but another mystery not fully explored or explained. So maybe this is her thing. And this is our thing (as audience) with her. She is casted well and always had this mystical vibe around her so far. And this time again the artsy girlfriend character with her kinks and girl next door attitude. Hit home.
Fischerspooner – Sir
From the electroclash to the gayest album cover of the year.
An Orange Conspiracy – AOC
That cover.
Throwing Snow – Loma
First got hooked on this one when I was looking for something with broken beats and jungle rhythms, and I was happy to find this record. But then there are quite some flavors of electronics piled up here, all pretty much good flavors.