
Slow, ambient, deep techno, intelligent electronic music. Huge soul, embracing, intimate.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Slow, ambient, deep techno, intelligent electronic music. Huge soul, embracing, intimate.
Triphop tempo, ambient textures, breakbeats. Night time music, atmospheric, feels home.
Now this one is suprising and interesting. Debut longplayer with a blend of moods but mostly focusing on slow tempo, although even while keeping the pace below the mid-range still offers quite a palette from field recording style ambient through laid-back downtempo to choking steamy techno. Then halfway through the album we arrive to the mid tempo range and mostly keep the speed steady going forward. I better enjoyed the second half with its techno vibe, but the album as a whole has a well orchestrated journey for sure.
This one is interesting because at last a new Prodigy remix, which does not exactly sound like the Prodigy track in the first place. This one is some dirty techno shit.
The new Black Dog album provides an equal amount of moody-darkish electronics, some ambient peace and pleasant techno. For the first run I listened to it five times in a row. And still rolling once a day. Something I didn’t see coming and offers a great deal of pleasant surprise.
And now back to some thrilling new techno hailing from Ukraine published by the good ol’ Soma Records and backed up with a beautifully illustrated cover. This is job well done all around. The music is minimalist, pumping, pulsing, space travelling, subway riding, night-time driving for the piece of your mind and the nodding of your head.
Collaboration between Ben Klock and Lucy. Deep minimal techno and eerie drone ambient on one EP.
Deep, melodic, thumping. An exquisite journey into your subconscious, through dark places and dreams.
All different kinds of electronic underground explorations from breaks to techno. What is exceptionally exciting is the HTH020 remix called ‘The Haxan Cloak’s Cloud of Witness’, which starts off a bit intimidating but builds up into some kind of elemental orchestrated rhythmic noise masterpiece in a manner of Fuck-Buttons-meets-post-rock-with-electronics.
Föld alatti, sötét, minimál, ipari, de mégis szikár techno.