Amazing tripping techno with dancefloor tempo. This makes me miss a good techno party bad.
I’m not as amazed by this as I was with Post-Truth and Black Daisy Wheel but it’s still a good listen and worth noting. Genrewise this is a bit all over the place from IDM to techno and electro. That said, I’m not fan of the more experimental tracks on this one and like the more laid back, easy-going tunes.
Techno at heart, mid tempo, lots of bass, some epic melodies, introvert and meditative headspace. Definitely one of the highlights of the year. One ceveat is that it has the potentiall to put me on this downward spiral in terms of mood so I can only digest it with careful measure.
Steffi‘s Yours & Mine is my forever favorite work music. When I need to push push push it in the most efficient way that is my go-to. Now, this album is the pretty close to that. It is good music, has some great vibes and tunes and drag to it, but neutral and non-disruptive enough to be able to fully concentrate on what I’m working on. It contains a couple different flavors of electro and a general dub techno mood.
This record is like a sampler to my current taste in techno. Brilliant tempo, minimal beat, but there’s also hooks and occasional vocal samples. There’s also this trance sound that’s new for me in techno and I’m completely in love with. This is yearly top 10 level of amazing. Makes me miss the dancefloore once more.
Beautiful, easing ambient, IDM, and some very soft techno. Think Moderat but with more chill.
Minimal techno, coming from one of the godfathers. This shines through with purity and a good sense for essence, but also some retro sounds here and there. Although, it’s not the most important record of the year, not even in techno, but it’s a good listen.
All I can think of while listening to this is how much I miss live music. I understand there are way more severe consequences of the pandemic in the world out there, but what makes me go nuts in my little world of my own is that I cannot go to live music events. Jump around at a concert with bodies smashing into one another. Barely hear a friend over screamning guitars and snearing drums with a beer in hand just to cut the sentence when the chorus hits us and shout the words from the top of our lungs. Dance in a barely lit dancefloor with beautiful techno thumping in my ears taking me on so well know but still unexpected journeys. Close my eyes and see what the music paints in the darkness while cosmic peace melts with ecstatic bursts of joy, and open my eyes slowly to let the faint blinking of the neon through and carve illuminating runes in my retina. I miss the people sharing the moment, breathing the sweaty steam of everyone moving at the same time to the same rhythm. I miss these moments, and I miss the people that we share it with so much.
Definitely techno for the dancefloor, but like with trance blended in. It’s not silly but still not serious.
This is easily one of my most influential albums that I came across in 2020. Modern technoid EBM with bubbling analog synths and tight industrial beats. It has all the dark beauty of any oldschool EBM but without the spotlight mainstreamism of some retro abusing modern electronic music. They are to EBM what Led Er Est was to post-punk goth rock—something new that understands the roots and fully lives in the present. Wonderful, fantastic music, soundtrack of my life material.