
A little bit extended version of the 2009 Tokyo. Rhythmic ambient downtempo wondering.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

A little bit extended version of the 2009 Tokyo. Rhythmic ambient downtempo wondering.

According to its premise this is supposed to score the universe with music from before the boom to the infinite future. Beautiful, atmospheric, inspiring.

It is a soundtrack to a tv series, but it is not released as a soundtrack. So this is a Clark album in its own right, but is a soundtrack nonetheless. It is the soundtrack to a snowfall on a gloomy dark dawn. To a ship sailing out into the vast ocean and breaking ice on the go. It is the soundtrack to its sinking and hitting rock bottom. And to the sunshine that glides through the water and reaches the masthead of named ship waving goodbye.

Ambient electronic sci-fi soundtrack with light bokeh and spaceships. In a city. With rain.

Calm, intimate and good for thoughts. Also good for work, inspiration, little candy pieces for brain.

Very much soothing glitchy-chilly-heady IDM.

This. Is. Beautiful. Intimate, soothing, calm, enchanting. And all that without the slightest trace of being cheesy, wearing any fluff or trying to be over the top mainstream chillout. Cannot help to replay right away. This is a gem.

Say this first: worst album cover of the year. Now, as for the music it is definitely different from the first album but still something great. It may not even be possible to see this as a follow-up to the first Kuedo record, but rather a piece in the larger context of the life of Jamie Teasdale. Many flavors mixed in but this is misterious in many ways. Electronic, synths, and probably the most beautiful tracks are the ones resembling Vangelis in the era of the Blade Runner soundtrack. And then there are those few tracks which are the most shit-your-pants soundtracks of a horror movie and you may not want to listen to those at home alone.

Just until now I didn’t know this thing even exists. Two tracks, 12 minutes each. It is an epic.

Two tracks (The Governor and Three Sides of Nazareth) on this album are completely off here that you don’t see coming, and still, crown jewel. Ambience, electronic music, rythm of dub (in No), and then these two post-punkish upbeat things I cannot really classify into a genre.