Bass-heavy slow to mid tempo electronic music. Genrewise it’s a mishmash: the highest percentage is probably house, but it’s changing every other track to dubstep, breakbeat, house, IDM, ambient. Good backdrop for work.
This became my go-to album lately, I listen to this literally every day. It is so calming and helps me focus like close to nothing. The interesting bit is that exactly that same recently I started to formulate this idea that I don’t like experimental music that much anymore. Whenever I listen to that noizy-glitchy IDM kind of experimental electronics from the more elitist kinds I feel only annoyance and impatiance. Although all the while I’ve been listening to more ambient than ever before, which often comes with drone and weird sounds. So I’m not sure what makes me stick or bounce. I think I appreciate harmonies now. Nice ambient soundscapes and well balanced patterns both give me that. Harsh noize and non-rhythmic sounds don’t. This record is one of the most sophisticated and masterfully crafted rhythmic noize sets out there. Also, this is one of the leading definitions of literal Intelligent Dance Music.
I’ve been listening to a lot of ambient music lately. The days are quite busy, focus is needed for extended periods, and music that gives me peace and mental padding helps me keep up the drill longer. When I need to grind through a night of work I usually go for something harsh and fast, like hardcore metal or jungle, but I cannot run the sprint for several days in a row, so that’s when ambient kicks in and helps.
This is a very drone-like modern composition record, cinematic at certain places. The title track is the slowest form of catarsis I know—the soundtrack of a super slow motion capture of someone bursting into tears, or having an orgasm.
Drum and bass, ambient, and (oddly) rave sounds in a blender. Kind of a strange mix but great for work.
Cinematic ambient with neo-classical instrumentation, dreamy electronics, and the occasional rain.
Peaceful, soothing, ethereal ambient with choirlike vocals. It keeps amazing me what comes out of the Ninja Tune roster sometimes.
Bass heavy, melodic, dreamy and moody, slow paced but not fully ambient electronics. It explores space, goes under the ocean, travels in the belly of the Earth—all the places where dark is the domain but textures can be observed by some shimmering traces of light.
Beautiful, easing ambient, IDM, and some very soft techno. Think Moderat but with more chill.
As the first notes started playing on this record I thought Reigns turned to a lighter mood since I fell in love with them with The House on the Causeway. I starts that way. Then they quickly delve into their home territory of eerie land where rock and electronic holds no real meanings—this music is not defined by its instruments but its super heavy atmosphere. It’s a beautiful wondering in a haunted garden with dark crimson roses, piercing thorns, and an ominous yet not at all depressing constant dusk.
Hypnotic ambient, great for focused work.