Hypnotic ambient, great for focused work.
At the beginning it totally starts like some Brandt Brauer Frick record, having all those acoustic instruments, drums, guitars, strings, brass instruments, making all those little noises mixed up with the electronics. Then from the third track it goes fully electronic and creates this wonderful, cinematic journey with pulsing techno, ambient soundscapes, and broken beats. It all creates this great flow even though stylistically it’s not the most coherent album. I’m not afraid to say that it could well deserve a spot on my year-end toplist, even if it doesn’t make the Top 10 it could easily sit within the twenty.
Subsea trip with thumping, soft dub techno and ethereal ambient. Good for chilling, brilliant for work.
On a sidenote: when will this album cover trend stop, I wonder… Photos of parts of stuff so that it looks disturbing. It may have started around Dumb Flesh, but I wouldn’t mind if it stopped.
I still have a hard time to slap a label on Nicolas Jaar. But this record is pure gold, again. Overall I can call it modern classical, although that’s not because of its use of traditional instruments and orchestration, but because it sounds like my idea of a perfect, meticulously crafted classical music today. Genrewise it’s some kind of ambient with a very wide range of intruments and sounds (drums, chimes, keys, strings, experimental textures, and voice), using inspiration from all over the world, and melting it into a introvert mind trip. As advertised on the cover. And an amazing cover art it is, too.
Update: the totally ethereal sounds of Hello, Chain gives me the goose bumps. I’m in awe.
I find peacful ambient and modern classical best for work nowadays. I have a lot going on these days, and it’s like my mind is completely full with information and decisions and there’s just no room for too many beats and spoken words. Albums like this keep my mind clear and leave room for thinking. Besides it’s pretty nice, too.
Melodic ambient with a wide array of acousitc instruments. The second track (All the Way Round) reminded me of a soundtrack hook from Penny Dreadful (the London series), which nailed my attention for the rest of the record. The rest is not at all like that, btw. But still, no regrets for staying.
Another one of those soundtracks that get me to watch a movie. Otherwise I’d probably pass on another film starring Barry Keoghan. But the music is another hit home by Benjamin John Power, he has never let me down so far. Tense, dark, full of stress, from ambient to pumping industrial electronics. I can hear those pictures of unease and emptiness, then running and fighting, I want to see that editing that’s based on these rhythms and sounds. I’d love to play it too, if this was a game soundtrack.
Ambient house, straight-up ambient, and dub-fused chill-out music, exactly something like made by The Orb. All sounds are coming from a happy place, it’s light-hearted, easy to listen, and high on delight, it just makes me happy. It’s hard to pick favorite tracks but right now I love the long soothing soundscape of Shape Shifters best with its city ambience and trumpet notes. Although I changed favorites quite a bit since this is my go-to record to listen to whenever I don’t have time or need to think twice for the past two monhts right from its very release. I’m quite amazed how Paterson can deliver such a great album after 30 years steady in the business.
It’s a bitch that sometimes I can least elaborate about my favorite music. There are certain stuff that you just have to listen to and feels mundane to write words. This is one of those.
This movie has been on my radar and watch list for such a long time and randomly came across its soundtrack now, which just emphasized that I have to see this. Mysterious and eerie ambient, and also retro futuristic synthwave done right. Just listening to it visualizes the neon lights blinking through the mist in the thick forest at night. I love this atmosphere and aesthetic so very much.
The last time I listened to a soundtrack so many times before watching a movie was The Moon where I had already known all the cues by the time of actually connecting the sounds to visual images. But that was fun! Btw the other movie of Panos Cosmatos (Mandy) I have seen and it was hilarious and fascinating at the same time. So looking forward to Beyond The Black Rainbow, too.
Electronic ambient with some oriental instrumentation and spoken words, but the most powerful bit and its most unique voice is at the end in the last two tracks, which are totally detached fromt he arc of the album by the way. Actually I’d rather have those two separately as an EP and be happy with it.
Self Doubting Trip is a cinematic-atmospheric soundscape with a tight beat and tense tune, like when the big reveal of an exciting movie is just being unfolded. Then in Dekotur this continues with some chiming sounds and a whole lot of layers building up very slowly. This latter bit actually feels a lot like the beginning of Johnny Jewel’s Vapor, the two could nicely play after one another. (It’s like the end of Terminator and the beginning of the Matrix.)
One of my go-to focus music for the past month. Cinematic ambient with chiming sounds, dark textures, monumental spaces, it’s quite a journey. I see the full movie playing in my mind. Also great for reading, especially something eerie, mystical, or set in outer space.