The new show is fantastic. Today was the opening of the European leg of the tour and it was just great, so much Jim, such Jefferies. I only knew one routine from all the material and that’s only because I’m mostly up to date with watching the Jim Jefferies Show weekly, other than that all new stuff and all’s good. I felt like such a fanboy clapping and rubbing hands before anything was going on, but I truly think it’s not just fanboyism going on, I laughed my ass off.
So far my best stand-up comedy experience ever was at the Laugh Factory in Los Angeles last year. This one came right on par with that, but with the fan inside me added, it just jumped to the first spot.
Mid-uptempo broken beat electronics. It’s a smash, extremely good sound.
On a another note: it comes with liner notes along the exact same lines as The Balck Dog‘s Black Daisy Wheel. The motivation behind every artistic output that’s angry and frustrated these days is the current state of politics and global idiotism. Fun times.
For the first listen I was hooked on this. For the second listen I found it boring. It’s totally up to mood and state of mind, but it’s a good minimal techno album. Also it shows that it’s a debut, some way to go, but worth keeping an eye on.
I keep saying that I’ve never liked indie rock, and yet, I always stop to listen to any new Elbow record and I don’t think there’s been one I didn’t like. It’s the perfect laying on the carpet and watching the ceiling music.
I haven’t been expecting a Korn album this good in this lifetime. Well, in full honesty I also haven’t been looking for it. From their debut up until the turn of the millennium I was all up for everything Korn, then probably life just moved on. Interestingly some same-era stuff, like Deftones for example, stick with me way more and longer, but I never really got into a Korn relistening frenzy. And this time this new album came, and it has some of the same sound that is Korn in a very original way but also I see how it’s new and relevant. It has its hooks to cater for different audiences but still it’s completely true to its own roots and sound. I like this a lot.
In a way I have this feeling lately that I’m reliving an era of my childhood. Looking at the news it’s new Tool album released, Diablo 4 announced, Rage Against the Machine reuniting, watching a Pet Sematary remake, etc. But at the same time, some of these things are truly good output, at least as for the music part (and even D3 haters are optimistic about D4). I hear so much whining about the music industry being shit, music review media going down, and all that, but I love how so much great new music is being released. Well, whiners gonna whine.
It’s a mishmash of things around the house-electro-rave globe from a lifetime catalog. Two random notes. One: Playboy – A Paco Di Bango’s World goes to my hilarious house tracks playlist, right after Big Fat Head. Funny house is a thing, I’m slowly getting this. Two: Format – Solid Session is my favorite dancefloor anthem on this one, and it’s from 1991, gosh.
Downtempo electronic music with a lot of soul. Also, beautiful cover. I haven’t been following !K7 for quite a while and it’s nice to see their logo again.
All three singles released since the debut album are great, but this latest one definitely has the strongest hook. Both the beat and the words are just epic. This is one of those tracks where I feel the strongest that Prophets of Rage is getting a voice of its own.
They already wrote some awesome stuff, but there were a lot of echos of Rage Against The Machine or Street Sweeper Social Club, and that’s totally understandable and also something that I don’t mind. The musical heritage what these musicians represent is something that brings us under the flag of Prophets in the first place. But in this case that’s paired up with the killer flow of the MCs. And the latter aspect also shows in the lyrics. These MCs are hiphop MCs, they don’t come from where de la Rocha was coming from. In Rocha’s lyrics there were many repetitive revolutionairy slogans, but just little words without semantical meaning. Hiphop uses the language as a decorative tool as well or an instrument on its own, there are words that just keep the flow going, and this I feel is new here. Rocha would never have written a line that just says “La dee da dee”, but it’s here and this doesn’t diminish the seriousness of the words a bit. Or right in the title, they write “pop” and not “bang” or something more dramatic, which is so stylistic, so hiphop.
This is the first time these musicians found the exactly right place for these MCs they are working with. Or these MCs found their way around this music. Anyhow, it’s brewing and blending together better and better. Can’t wait for a next record to see where this goes.
This album has been around in my queue for a while, mainly because I love it’s cover art so much but could never get myself listen through the music itself. Today I did and it was not easy. It somehow annoys me and it’s not interesting. I almost never write about albums that I don’t like, so this one is an exception because I wanted to put down that the cover art, that photo is absolutely amazing.
