
First half is slow tempo electro, or as he says “cold-wave disco throb”. Great background for work or staring out of a window. Then the second half is more like an acid beast along the lines of Nid & Sancy, absolutely love it.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
First half is slow tempo electro, or as he says “cold-wave disco throb”. Great background for work or staring out of a window. Then the second half is more like an acid beast along the lines of Nid & Sancy, absolutely love it.
Krautrock with the mood of the Only Lovers Left Alive soundtrack. I got back to this one a few times befor posting. (Usually this doesn’t happen because of hesitation but when I don’t want to remove something from my Play Later list because then I come across it a few more times.) Also, nice album cover.
We would have called it trip hop a decade ago, now she labels herself as techno. Things just go around. Thumping rhythm, humming bass, noisy soundscapes, eerie vocals.
It’s like The Knife with more tempo and an industrial touch. Ends up with a cyberpunk soundtrack feel to it.
The Hacker is a timeless classic of Rother’s that I will always list within my top electro albums. I love this dry, cold, glass-eyed android electro that he served at the time. After a while he had faded from my radar and sometimes when I checked back I didn’t quite get some of his releases. And now it seems like he returned to the roots. It’s like classic Anthony Rother even with some Kraftwerk to it, too. Although, in full honesty looking at this from 2019 (and as something written in the recent years) some lyrics seem rather vintage and in that sense funny. Like saying “creator, the code is my command” has an aesthetic to it that I love but it’s retro, like how grandpa imagines the soul of an electronic calculator.
And another great synthwave game OST, like they’re flocking.
Hecker’s Japanese trip is an elegantly spaced ambient composition. Negative space, Japanese instruments, digital noise, ritual, calm, sacral scents.
Electronic, pop, soul. It’s like the Bristol rework of German nu jazz. Great concept of cover series for the singles and the album.
This is the best piece of retro futuristic synthwave record I heard in a while. I haven’t played the game yet, but definitely makes me want to.
Another totally unexpected turn in 2019. I was never a Rammstein fan per se but always liked many of their songs. Now this album comes and I’m just blown away. There are a lot of stuff in my listening queue right now but just cannot let this one go and I’m listening to it on repeat. Also deepens my strange feeling that I’m coming to like German as a language. On another note, Puppe is super dark gem of creation. It reminds me of hearing Korn’s Daddy for the first time and thinking omfg.