
Dubstep bass-and-beats with an MC focus. For the first listen I wasn’t aware that it was produced by The Bug, still I was quite aware. Nice flow, well done words.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

Dubstep bass-and-beats with an MC focus. For the first listen I wasn’t aware that it was produced by The Bug, still I was quite aware. Nice flow, well done words.

I am re-listening this one from 2002. Just as the first track hits me, I can hardly imagine how huge of a smasher this could have been back at the time of release. I was a late arrival to the Transplants but I wish being in that crowd on their album launch tour who are listening to this shit as new and live. They must have gone crazy.

It’s one of those instant classic records, which have the real potential to become timeless. Could have happened any time in the past decade and will probably sound the same a decade from now. Huge ska punk-rock summer hit parade all over.

Low-fi-alt-garage-rock-indie-post-punk from Belgrade. This is the band in your next door basement that you hear at night and would like to see them in your favorite venue.

RA writes “Hayden Payne’s records package the lunging ferocity of EBM and industrial into a sound you could loosely describe as techno.” Ex-act-ly what I had in mind, all these three cornerstones just like that. I also like the idea that this came through Ostgut Ton.

I wrote some notes about Howl in 2015 when it made it to my Top 10 albums of the year. Most of those hold true for Persona. Although this one is not that elemental and cosmic but closer to earth and more looking up from here. Same vibes, same sounds, same great music though.

Some kind of melancholic electronic music with dark moods and a steady pulse. Like the dark days of Apparat or the electronic version of a post-rock record. Extremely atmospheric, swallows me, chews me, spits me back into the void, a pitch black to love.

Downtempo, ambient, on the brink of modern composition but still the electronic music kind and not the classical music version. It is a nice ride as a concept album and also great vibe for work. With a last record of house beats this one as a first after Vynehall’s moving to Ninja Tune is an exciting twist, we’ll see what comes around next if he sticks to the ninjas.

Classic Ólafur Arnalds. Beautiful and sad, like life.

Back to the future, ancient cyberpunk and loveably naive. And the cover.