Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Techno at heart, mid tempo, lots of bass, some epic melodies, introvert and meditative headspace. Definitely one of the highlights of the year. One ceveat is that it has the potentiall to put me on this downward spiral in terms of mood so I can only digest it with careful measure.
Steffi‘s Yours & Mine is my forever favorite work music. When I need to push push push it in the most efficient way that is my go-to. Now, this album is the pretty close to that. It is good music, has some great vibes and tunes and drag to it, but neutral and non-disruptive enough to be able to fully concentrate on what I’m working on. It contains a couple different flavors of electro and a general dub techno mood.
EMB and industrial flavored electronic dance music and cold wave.
During the first track I was considering skipping this EP altogether, lucky I didn’t. This is a collection of some oddball electro tracks, which are too boogie to be IDM but too silly to appear seriously on a dancefloor. But it would be FUN to hear a track like Night Drive in a club. Although the one titled Pleasure Activism could totally fit a chiptune set.
Moody atmospheres, triphop tempo, electronic music meets orchestral sound.
Bass-heavy slow to mid tempo electronic music. Genrewise it’s a mishmash: the highest percentage is probably house, but it’s changing every other track to dubstep, breakbeat, house, IDM, ambient. Good backdrop for work.
As good as any Rob Zombie record, it just delivers. Perhaps more musical than the usual, ranging a bunch of genres from the default industrial metal through hard rock and heavy metal to funk and even country, and having melodies that may be beyond what one would expect from this guy.
This brings back amazing memories when my favorite breaks DJs played the kind of nu skool breaks that I loved so much. The Fjaak guys still haven’t missed a beat for me, and Steffi has been an evergreen favorite of mine who pushed this track just that one notch further.
After Kruder & Dorfmeister’s new release here’s a new album by dZihan & Kamien. Alright, so what’s going on? Is nu jazz making a comeback or what? In any case this is a totally fine album, as good as any Couch Records release from back in the day. I’ll be instered to see whether this series continues or even someone tries something new with the future jazz angle. Maybe even Jazzanova produces something new AND worth listening to?
I’ve been listening to a lot of ambient music lately. The days are quite busy, focus is needed for extended periods, and music that gives me peace and mental padding helps me keep up the drill longer. When I need to grind through a night of work I usually go for something harsh and fast, like hardcore metal or jungle, but I cannot run the sprint for several days in a row, so that’s when ambient kicks in and helps.
This is a very drone-like modern composition record, cinematic at certain places. The title track is the slowest form of catarsis I know—the soundtrack of a super slow motion capture of someone bursting into tears, or having an orgasm.