
Acid house by one half of Future Sound of London. Ranging from the old school big beaty Crystal Method vibes through silly-easy to some more techy sounds, but straight-up acid house all along.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Acid house by one half of Future Sound of London. Ranging from the old school big beaty Crystal Method vibes through silly-easy to some more techy sounds, but straight-up acid house all along.
Overall a nice electronic music record, and I couldn’t be more specific than that—it’s like those Booka Shades of the musical spectrum that could fall in many sub-genres depending on how you look at it or where you come from. That said let’s focus on the title track, which just knocks my socks off. It is some amazing achievement in being soothing and calm, but also high in energy and making me move right away with floaty-wavy arms. I can imagine listening to it on a dancefloor and rise to melodic mid-tempo electro heaven. It’s been a while that I listened to something and wanted to reach for remixes; I just wish there’s a slightly higher tempo version of this as well.
Cannot say much beyond what I’d expect from Alva Noto on the usual high standard.
It’s been quite a while that my attention was pinned down by a death metal album. Although this one ranges from death to black and melodic metal territories.
It’s so rare that speed gets put into such a great context and it’s not just going fast for the reason of technique showcase or mindless agression. I distinctly remember when I first starting listening to Slipknot as a teenager and I couldn’t listen to anything else anymore because other bands were just too slow. And that was also a case when speed has meaning and flavor. In the case of Hand of Kalliach I feel the same. The fast paced drums, guitars, and sometimes vocals flow so naturally with the overall sound they create, it just sounds amazingly fit there.
Some fun moods and uplifting sounds on the house-breakbeat axis. It’s your afternoon stage music in a festival, which could either be the warm-up for the evening or the afterparty from the previous night.
Nu jazz sound, chilled, relaxing, smooth. Shape The Future was a huge Nightmares on Wax come-back in my life. This one is not as strong but a fair follow-up.
The last album from Kontravoid I found mainly EBM while this one is primarily cold wave. It’s not as great as the previous one but still worth noting.
Starts with a dark ambient note but most of it is actually jungle beats and breakcore over some atmospheric sounds. Most of the time I imagined a cyberpunk heist movie rolling with this soundtrack. This could also be a spiritual successor of the Splinter Cell soundrack by Amon Tobin, but with less sophistication and a darker tone. Oh btw, I loved this record a lot, I could easily listen to it five times in a row.
This is a soundtrack album to a pretty dark and grim comic book series, consisting of all original songs. I just want to taste this sentence for a little while and think about how awesome that is. And then start listing that collaborators include Mastodon, Rise Against, HEALTH, Chino Moreno, Greg Puciato, Chelsea Wolfe, just to name those closest to me. This is pretty rad.
It’s been a long long time since I last listened to a pure dub record. Not dubstep, not dub techno, but simply dub. And I came across this one and it delivers just that. Moody, wandering, lost in thoughts and walks in the rain.