This album has been around in my queue for a while, mainly because I love it’s cover art so much but could never get myself listen through the music itself. Today I did and it was not easy. It somehow annoys me and it’s not interesting. I almost never write about albums that I don’t like, so this one is an exception because I wanted to put down that the cover art, that photo is absolutely amazing.
I need to put this out here so that I can move on with my Play Later playlist. Probably I rather want to listen to it a hundred more times than say too much about it.
My short summary is that Tool’s journey can be heard on this one again, like through each one of their records. Again, it’s more refined, more nuanced, and more soft. This also means that it’s less raw, less surprising, and less revolting. Some Tool fans are not satisfied with this journey, and I’m not one of those fans. I like everything about it, I like what their music has become. My only concern is that with Maynard’s works in other areas of life I cannot help thinking whether his full soul is still in this project, or it’s just something that he gave in to and tried to accomplish to the best of his efforts. However, I have no doubt that they did everything as good as they humanly could to accomplish this record.
The music is not something I could describe with words like great, wonderful, or such. It works on a very different level and scale. I love that there are the most number of 10+ minute songs so far, and I love the path all those take from beginning to end. I’m meh for the short filler pieces, but the arcs of the epic ones blow me away, those are the ones why I have this album on constant replay for a week now.
On another note, I just realized that each Tool album represents a completely different stage in my life. This is also probably why I will always like their latest album the best. The music part is not something that’s up for debate, I know that their work will always resonate with me. It’s just what I add and how I connect to it.
I call this avantgarde sailor EBM. And I don’t even know why I sense any trace of EMB around here, but somehow I feel that this has some kind of an odd relation to it. This thing is hard to explain, but there are some tracks that I just cannot keep re-listening. And this is my one post so far that could best make use of a smiley. This music demands a smile – it’s hilarious. Oddly though, it’s not a completely comedic way of hilarious, it’s just fun, easy, and non-serious. Probably not completely coincidental that it keeps reminding me of Eläkeläiset.
Not an innovator but a pretty good industrial electro-metal record, like in the footsteps of Rammstein but more on the party industrial side of things. I listened to a whole bunch of new releases from the industrial and EBM domains, I wanted to highlight some great surprises, but there were not much to mention at all. This one however is easily one that I am happy to relisten.
Relaxing ambient. The album, honestly, is nothing special. But it’s a great asset on a day like this when I want to enclose myself in my shell and wish noone talked to me. Headphones on and listening to this feels protective.
Slow moving, bass heavy, moody, atmospheric, ambient electro. For me it’s not that kind of dark to be dark ambient, but it has a gloomy scifi vibe for sure. Could be an alternative soundtrack to Moon.
I find this record enchanting. That nice kind of electronic music in the footsteps of all the wonderful creations by Moderat or Kiasmos. It has a lot of emotions but I don’t feel any cheesyness about it, it’s well crafted music, nicely put words, feels authentic to me. And especially the track Sirens, that’s a massive head and heart trip with goosebumps.