
Post-punk sensibility with indie rock vibes and occasional banger hits. The moody songs with the saxophone remind me of Morphine.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

Post-punk sensibility with indie rock vibes and occasional banger hits. The moody songs with the saxophone remind me of Morphine.

Honest, calm, heartfelt, soothing, mysterious. Alternative guitar music. The spoken word bits are the extra gold nuggets that I didn’t expect to find.

It’s so fun. However, I cannot see the sentiment that it’s just too close to those that inspired it. I can’t really tell whether it’s an homage, a parody, or something of its own. Second album doesn’t help there still. Perhaps we’ll see on the third one.

Alternative rock and indie.
It’s funny, when the Starbuster single came out I was running to show it to my wife as a power song and she had already heard it, although neither of us listen to a lot of stuff like this and it was also extremely fresh still. At this point (well, almost a year later, but still) it’s so well known, used for trailers, tons of listens everywhere, etc. It was just one of those ones that was a clear-cut huge hit from the get-go. I’m happy for their success, it’s well deserved.

Spoken word British punk.

This is what IDM is: playful but experimental. Great little album.

Post-punk goth rock vibes.

Brass and percussions playing something that feels like electronic music. Let’s call it acoustic techno. Nod to Brandt Brauer Frick, but with stronger focus on the brass section. I’d love to hear this played live.

Electronic music ranging from cinematic ambient through mid-tempo moody melodic beats to dance floor grooves for small sidesteps. They are fellow artists from the same roster as Weval, so that.
It’s kinda ridiculous that I don’t have a good genre definition for this kind of music. I always feel it hard to put a label on it, although it’s clearly a thing.

Dream pop meets nordic folk.