Author: csabavarga

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FJAAK – Havel

Lot of stuff from the past few decades mashed together and it is a blast. In a way it’s like watching Stranger Things: it draws pretty direct inspiration from certain sources but still creates something for the now that I can interpret as the product of today. This music is many things from leftfield through techno to breakbeat, but it couldn’t have been written in those past eras because we needed to take that journey and get to the now with all these stuff in our heads to have this mash-up today. I am probably over-explaining this for the RA review that I’ve just read which lacks originality. Anyway, I don’t. I think FJAAK is unique in the blend it creates. It sounds like the soundtrack of me growing up. And I would absolutely love to listen to their selection in a party setting.

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Belief Defect – Decadent Yet Depraved

Wow, this is intense, surprising, deep, a journey. Apocalyptic bass heavy rhythmic noise with an industrial feel to it. Bites with sharp teeth and consumes with acid. And this is a debut album, taking off at Raster – not bad, not bad. Reminds me of when Diamond Version was new.

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Quick make-notes of the letdowns.

The new Front Line Assembly album is boring. Actually there’s nothing else to say about it. Well, maybe that Jimmy Urine’s Rock Me Amadeus is just, whaaat the fuck. It’s a joke that I don’t dig.

And the new Ladytron record, I don’t even get that, it’s like a bad production. The tracks are half totally boring, half okayish. Strange choice of tracklisting so that it becomes more interesting in the second half. But the sound quality of the whole thing is just a mess, it sounds like some vintage vinyl listened through an earplug. I also have a feeling that probably I got tired of them in the absence since we last met and would not listen to it anymore if I came across it as new today. That’s a strange thought.

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Millencolin – SOS

Current dose of punk rock. The album cover and the title track music video are just unfathomable bad, no excuse for that. But the music still rocks.

Note: I liked their 2015 album, too, a lot actually, I wonder why that didn’t end up here. Funny thing is it was among my ten most listened-to records that year, but didn’t make the final cut of the Top 10 at the time.

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Burzum – Sôl austan, Mâni vestan

What I like about Burzum is that it’s soothing like My Dying Bride but doesn’t have the doom edge to it. I love listening to The Angel and the Dark River, the only caveat is that it sets my mood and mindset to a specific place. Burzum leaves me where I am, it just provides calmness and space for me to float in. Well, maybe not all Burzum records, but this one and Hliðskjálf certainly are like that.

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Modeselektor – Wealth

Just like recently going through everything Booka Shade in 2018, I did now the same with Modeselektor. They were not that productive, but the 4th Modeselektion is still not bad, and my favorite of the year was Wealth. Reminds me of the heavy-hitting flow that took me by surprise when The Dark Side of the Sun appeared.