Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
I heard about the trip hop revival a few weeks ago for the first time, otherwise I hadn’t paid attention to this being a trend in the past year. Well, this record is clearly nothing else than pure and original trip hop, so there’s that. I’ll need to keep an eye on how this evolves.
It’s like the ’90s: triphop and industrial, could be a new Portishead record.
Triphop but with a surprising amount of glitch and IDM compared to a regular DJ Krush record. I recently saw him play live, which was a huge demo of his technical skills, and that shows on this album, too. It’s a diverse ride from smooth hiphop flows to strong industrial bangers.
Darkish drum and bass, medium tempo. Not for the dancefloor but for headphones. Could be sci-fi but I’d rather think of cityscapes than empty space.
Moody atmospheres, triphop tempo, electronic music meets orchestral sound.
Breakbeat in its truest form with tone and tempo ranging from nu skool breaks to trip hop.
This is a quintessential trip hop record. Hip hop beats with blue moods and jazzy instruments. Lamentation on life withouth words.
We would have called it trip hop a decade ago, now she labels herself as techno. Things just go around. Thumping rhythm, humming bass, noisy soundscapes, eerie vocals.
There are some beautiful songs on this one. And one triphop awesomeness, and one hymn for before a party.
Something like an ageless bridge across nu jazz, ambient electronica, soft grooves and laidback head music. Soothing, relaxed, nice feelings, a light and gentle touch on the soul.