Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Electronic ambient music with lots of busy city life field recordings. It’s not like a beatless soundscape populated by urban noises, it’s often pretty upbeat. And that, mixed with the sounds of busy streets create this quite lively atmosphere, which feels like a rushing metropolis of ants.
Four mid-tempo techno tracks from four angles, very different approaches and sounds, what connects them is the trippy feeling of them all. First it’s bouncing back and forth between ears in stereo, then it’s a phaser modulating all over the place, later it takes an epic hallucinogenic journey ala The Orb with a spoken word meditation guide. A more chilled and easy to listen choice for an Ostgut Ton release.
It sounds like a classic industrial-EBM album from many years ago getting a remaster in 2020 with a techno heart. Sounds like an abandoned factory, heavy beats, greasy and steamy noises, distorted synths, slow marching rhythms. It is something not new but refreshing to hear. This could only possibly come from Berlin, has a cosy home at Ostgut Ton.
Dark industrial techno meets power noise.
RA writes “Hayden Payne’s records package the lunging ferocity of EBM and industrial into a sound you could loosely describe as techno.” Ex-act-ly what I had in mind, all these three cornerstones just like that. I also like the idea that this came through Ostgut Ton.
Fixmer, Ostgut Ton, techno.