
It’s all what it says on the cover. Light hearted disco house for home dancing pleasures. Or when my soul needs some easy to digest pop fun but I still want quality music.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

It’s all what it says on the cover. Light hearted disco house for home dancing pleasures. Or when my soul needs some easy to digest pop fun but I still want quality music.

I spent the Saturday packing up my apartment and organizing things. Perfect soundtrack for that.

Nu skool breaks and progressive house Sasha style. Go for the continuous mixed version.

Steffi‘s Yours & Mine is my forever favorite work music. When I need to push push push it in the most efficient way that is my go-to. Now, this album is the pretty close to that. It is good music, has some great vibes and tunes and drag to it, but neutral and non-disruptive enough to be able to fully concentrate on what I’m working on. It contains a couple different flavors of electro and a general dub techno mood.

Bass-heavy slow to mid tempo electronic music. Genrewise it’s a mishmash: the highest percentage is probably house, but it’s changing every other track to dubstep, breakbeat, house, IDM, ambient. Good backdrop for work.

Breaks and house, focus changing from track to track, or within a track itself. It’s like a little kaleidoscope. (While tagging this post I’m amazed I haven’t had any Octo Octa releases here so far. I’m listening to basically all new releases from her.)

Half moody jazzy tunes, half mid-tempo mellow house beats, nice and relaxing. The title track and Moral Dilemmas are the peak points, the previous reminding me of Miles Davis’ electronic explorations.

I recently got a batch of suggestions spread along the interesting-weird axis, and this one stuck with me. British dance beats (mostly house) with Nigerian hiphop female vocals. I have this strong feeling that I’m totally late to this party and hits like Fake ID and Ginger must have spinned their fair share in certain parties and radio shows that I totally missed apparently.

Mostly straight up uptempo house with a few tracks having tech-house flavors, the latter ones are definitely more for me. The closing track (Kato) is probably the biggest smasher. Most tracks are totally dancefloor material, but it’s also a great pushing-pumping motivator record for work.

Easy listening mid-tempo house and lazy chillout music, which doesn’t strive to be in the foreground. Good for work, a run while you want to think about stuff and not focus on the music, and Saturday afternoon garden parties with sunshine.