Sinners (2025)

I was going in as “let’s give it a shot” and come out “omg yes”. The style, music, cinematography, vibes, and Jordan’s acting were all on top. The story was not that strong though, but how it was done won me over still.

Alien: Romulus (2024)

There are pros and cons, but it’s easily the best Alien movie in a decade. In my ranking Alien and Aliens are on the high pedestal of 10/10, and then Alien 3 and Resurrection are both 6/10 movies. Romulus fits somewhere on the benchmark of the latter two, perhaps a half mark upwards, and definitely way ahead of any of the prequels or Predator crossovers.

What’s going for it:

  • I really appreciated ground time, showcasing what a mining colony looks like, streets, a slice of society, struggles outside of the scope of a single mission.
  • We got glimpse of a new part of alien life: we’ve never before seen them between bursting out as an alien baby and reappearing as a big black monster, and now we saw that there’s an in-between cocoon phase.
  • The whole movie was beautifully shot: colors, atmosphere, consistency of the retro-futuristic setting. As for props, the scenes were built amazingly well, and the aliens looked bad-ass.
  • Acting was fairly good, and the writing had no painful “why would you do that?!” moments.

What felt hmm:

  • The whole cast felt very young, had a bit of a Children of the Corn vibe to it. Although I could think that miners die young, working class has children early, so this is just what this society’s reality looks like.
  • Sometimes I felt that the retro-futuristic technology to be kinda gimmicky. Like I’d see today’s youngsters playing with old props, well, which is the case. Maybe it’s just a hiccup of my suspension of disbelief.
  • The alien-human hybrid was creepy but rather in an odd-weirdo than a frightening way. I liked the Newborn version better in Resurrection.
  • CGI recreation of Ian Holm looked underproduced.
  • There were a lot of plot vehicles that felt exactly like plot vehicles and not embedded well enough so that I don’t see behind the scenes. For example, “you have 36 hours to pull it off”, so there’s a time pressure; “now you have rather 20 minutes”, so the time pressure is elevated; “there’s no air in there”, so you have some limiting factor to overcome; “the gravity switches on and off every X minutes”, so we can use this later as a physical stunt; etc. I know elements like this are part of a story as it is, but still, I can hear the conversation in the brainstorming session how these ideas came about and what plot needs they answered. It’s just too on the nose, like an exercise at a creative writing class.

Suspiria (2018)

It was a wonderful experience. Probably one of the most artful horror films that I have ever seen, and I’m much relieved to say that none of the art in it felt artsy but rather proper art film cinema. I loved how the tension kept pulsating: it went awry for short bursts, then got back to its track of narrative although with a growing feel of unease, which built up beautifully for the final catharsis. All of its visual style, camera movement, editing techniques, acting performances were just fit, and by that I mean there was nothing drawing more attention than needed, and so it was a perfectly balanced piece.