
Soulful, hiphop tempo, some bass, some singing. Sounds like hailing from those best days when glitchy hiphop and dubstep started rediscovering its triphop roots. I really like this record, have been listening to it for some time now.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

Soulful, hiphop tempo, some bass, some singing. Sounds like hailing from those best days when glitchy hiphop and dubstep started rediscovering its triphop roots. I really like this record, have been listening to it for some time now.

This is totally surprising from Shadow. I haven’t expected much from him anymore, which does not mean he cannot set up a great DJ set or even a cool (and mostly nostalgic) live session. But any new material that I would find truly fascinating – not something on my bucket list.
And yet, here it is. An album that I have already listened to quite a few times and like to hear any next time. Nobody Speak is a huge smash that I instantly saved to my hiphop playlist. Depth Charge is some deep and dark triphop tune that crawls under your skin. (Also its main hook resembles much the track Conquercrete from the Hungarian live triphop band Realistic Crew.) Than there is Bergschrund written with Nils Frahm and which is an amazing collaborator find, if this was a movie I would call it casting quite nailed. But actually all the tracks are truly great even to the very end where Suicide Pact holds some memory sparks for me coming from the brutal and brutally graphical video game Hotline Miami – same atmosphere.
Anyway. Shadow did it again. And I like it a lot that he did.

The new Krush record is out, and there is not much to add except there’s no disappointment whatsoever. It is a perfect record with the beautiful moody triphop he can offer, and not one single track out of tune or style. I will see him play live just a week from now and I am quite excited about that, especially after this album. I sincerely hope that he brings along a bunch of vinyls so that I can have this little beauty shelved.

Amazing atmospheres, moody stuff, probably not for the joyful of souls. Kept me stick for the full length and worth some replays.
Fun fact: after the last track here Rdio continued the auto-play with Four Tet – And They All Look Broken Hearted. Spot on.

Got back to this epic one from 2005. Tells a lot.

This is pop music from Britain and on top of its game. Awesome quality music production and nice hooks without the usual annoyances of mainstream pop. And this one’s a debut album so double the surprise.

I listen to a very little amount of pop music so it’s no surprise that I am a late comer to take a bow for this album that was released in 2013. However I just cannot not put this one up here and note that this is what exceptional pop music sounds like. All those r&b “superstars” should stand in line to learn some tricks here. Featuring of Prince and Erykah Badu is powerful of course, but the record as a whole is way more that that, and with many faces of many genres beyond r&b.

Great instrumental hiphop.

Smooth jazzy, laid-back music for a Sunday afternoon chillin’. Also great album cover and band name. Their new album is out right now, but not yet available on Rdio and anyway this one is worth a mention on its own.

Homeboy Sandman egy hiphop mc Queensből, akinek most jött ki Hallways címmel új lemeze. Skizo helyzet, mert ugyanannyi jó dolog van benne, mint amennyi zavaró. 2008-as felbukkanása óta sok dícséretet kapott főként helyi NYC körökben, az új zenéinek pozitívumai pedig ehhez fel is nőnek: kifejezetten erős alapokkal operál végig (szinte minden számot másik producer jegyez), a szövegei pedig többnyire érdekesek, csípősek, a rímek jók és van mondanivalója.
Ehhez képest pláne érthetetlen, hogy időnként miért vannak olyan bakik, amit már csak rutinból is tudni kéne elkerülni. Szöveg tekintetében ilyen néhány félresikerült ötlet (idegesítően kitartott szavak, rosszul sikerült ének próbálkozások) és egy-egy erőltetten megírt szóhasználat, hogy kijöjjön a rím. Emellett az alapokban is van néhány furcsaság: pár zavaró és túlhasznált sample, vagy időnként benézett masterelés túlhangosított vokállal.
A bottom line az, hogy okos hiphop mixekhez érdemes eltenni belőle azt a pár tracket, ami tényleg nagyon finomra sikerült.