Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Post-rock goth vibes with that classic deep male voice. My only complaint is the drums, which falls in that uncanny valley of not being played live, but mimic that just too closely while not getting there. Something that sounds more like classic programmed drums would work better, or just playing the whole thing with a live band would as well, of course.
Post-punk with classic goth vibes. Drum machines and synths, not a rock sound.
Darkwave post-punk. The track King is such a hook.
Cold wave post-punk.
Dark wave goth with all the right notes, classic sound.
This is cold wave.
I don’t know that the fact they don’t (can’t?) properly play their instruments (which includes voice) in most songs is form over substance, an aesthetic choice, or just shows that in this genre it’s not the musical prowess that matters. In any case, it gives the album a noisy bedroom DYI feel.
For goth rock, there’s this triangulation of post-punk to glam-velvet to rocker-dudes, and I could paint the amoeba visualization for all albums based on their style in this triangle. This one’s the least post-punk, and about equal rock-and-roll and glam. This is not goth to be sad about but one to dance to and drink deep crimson wine from large brass chalices by.
True post-punk, classic sound.
It’s post-punk, but feels like coldwave indie, very surprisingly coming from Canada.
These guys have one more album besides the one they credit together with Adam Tristar. It’s just as good with beautiful and soft darkwave melodies. I find this album emotionally rich and to go under my skin like good goth music does. Beautiful cover art, too.