
This is the best compilation album I have heard in quite a while. Didn’t know any of the artists and now have albums queued from all of them. This is a gold mine.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
This is the best compilation album I have heard in quite a while. Didn’t know any of the artists and now have albums queued from all of them. This is a gold mine.
Experimental compositions for heartache.
Experimenting around electronics this album is heavy, atmospheric, deep, powerful. Has a certain world-creating feel to it like that of the Fuck Buttons, but with certain patches of softness, like a caring god touch the void with hands able to destroy yet also create tender lives.
Long time no see, kūlt.
Hitting off this year with this experimental flow of deep sounds glued together on an album by Brood Ma. Follows tracks of noize, glitch, bass music, breaks, from slow no-beats to mid-tempo bangers. Not for the dancefloor but for dark clubs. Does not shade your sunshines but lights up your nights.
That is one disturbing album cover. The music is by one half of Fuck Buttons, Benjamin John Power. Although this is a solo project the tone and style is pretty much similar with power noise layers and heavy structures.
Catchphrase here is that this is a side-project with Yann Tiersen, and if you want a better keyword for search, try Elektronische Staubband. Great album btw with analogue experimentations ranging from melodic nid-nodders to power noise screamers.
Alright, this is something completely wicked. Like listening to some ukulele-driven tropical elevator music while being completely fucked up on acid and having a seriously twisted trip. It is not good, per se, but cannot not listen to it.
Finally I had the chance to listen to Mika Vainio in a live set and it was quite a rewarding experience. Deep, true experimental electronics, well played and engineered, and luckily pushed out on a brilliant sound system. It reorganized some guts in my body and listening equipment in my head at certain points but it was well worth it. Actually I was surprised by how harsh and beatless it was after his work in Pan Sonic and as Ø but then again there were some power noise pieces too with heavy rhythms.
Jimi Tenor & Juri Hulkkonen created a dadaist movie and played an experimental set along with it. It was a surrealist piece with something resembling a storyline but with quite some free associations as well.