Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Korean post-rock played with traditional instruments and musical elements. This ablum is breathtaking. The “totally didn’t see this coming” winner of the month. The kind of experience that is hard to imagine without listening to it and feeling the goosebumps all over me.
Hecker’s Japanese trip is an elegantly spaced ambient composition. Negative space, Japanese instruments, digital noise, ritual, calm, sacral scents.
Wow, this is intense, surprising, deep, a journey. Apocalyptic bass heavy rhythmic noise with an industrial feel to it. Bites with sharp teeth and consumes with acid. And this is a debut album, taking off at Raster – not bad, not bad. Reminds me of when Diamond Version was new.
Experimenting electronics, exciting, new.
This one is a weirdo, and I find it fascinating.
“[…] the feeling of listening to a preacher behind the pulpit, or a doomsayer on the soapbox. […] a kind of sage or guru, a grey-bearded mystic of deep, arcane wisdom. His industrial noise and mournful neo-folk teems with hymns, incantations, and transcribed dreams.”
Experimental, electronic, slow techno, some industrial flavor, and probably the best new stuff I came across along these lines this year (although it is from last year).
Found it with techno records, something experimental downtempo electronics, sounds ritual.
WTF experimental-kraut-rock from Italy. Cool cover.
It’s like Portishead remastered with a more current sound. Has weight.
Just the experimental hiphop that you would expect from Dälek.