
Ambient, piano, strings, soft noises, blue beats if any. Music for watching an asteroid impact, penetrate and destroy earth in slow motion. Music to see rain falling backwards by.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

Ambient, piano, strings, soft noises, blue beats if any. Music for watching an asteroid impact, penetrate and destroy earth in slow motion. Music to see rain falling backwards by.

Experimental compositions for heartache.

Dark techno. Yes, please.

Experimenting around electronics this album is heavy, atmospheric, deep, powerful. Has a certain world-creating feel to it like that of the Fuck Buttons, but with certain patches of softness, like a caring god touch the void with hands able to destroy yet also create tender lives.

Science-fiction electronic music. I see distant low-poly planets and orbiting geometrical structures but no suns just suble light barely outlining the shapes in the deep space. Best sci-fi music this year so far.

Slow, ambient, deep techno, intelligent electronic music. Huge soul, embracing, intimate.

Long time no see, kūlt.
Hitting off this year with this experimental flow of deep sounds glued together on an album by Brood Ma. Follows tracks of noize, glitch, bass music, breaks, from slow no-beats to mid-tempo bangers. Not for the dancefloor but for dark clubs. Does not shade your sunshines but lights up your nights.

That is one disturbing album cover. The music is by one half of Fuck Buttons, Benjamin John Power. Although this is a solo project the tone and style is pretty much similar with power noise layers and heavy structures.

Catchphrase here is that this is a side-project with Yann Tiersen, and if you want a better keyword for search, try Elektronische Staubband. Great album btw with analogue experimentations ranging from melodic nid-nodders to power noise screamers.

Now this one is suprising and interesting. Debut longplayer with a blend of moods but mostly focusing on slow tempo, although even while keeping the pace below the mid-range still offers quite a palette from field recording style ambient through laid-back downtempo to choking steamy techno. Then halfway through the album we arrive to the mid tempo range and mostly keep the speed steady going forward. I better enjoyed the second half with its techno vibe, but the album as a whole has a well orchestrated journey for sure.