Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Supposedly the uptempo twin brother of Black Daisy Wheel with often melodic but mostly beat focused techno, house and IDM instead of the ambient landscapes. In 2015 these guys totally surprised me with my own reaction of how much I loved their record of the time, and now I feel the same. Lucky that I didn’t create any top lists last year because this one would be missing from there.
Ambient dreamscapes with occasional thumping rhythms. Atmospheric soundtrack to slowly panning images of motion frozen in still frames.
“The mindset is beyond paranoid, the discourse so far post-fact that only opinion and assumed identity matter. […] The impact on mental health is corrosive: fear, uncertainty and doubt multiply and replicate until the most ridiculous theories are invented to explain the most basic things: tarmac, banana skins, duvets. […] The distinction between the real world and the world of an auto-hoaxer is so blurred that reality melts away; you’re only ever one personal detail away from being doxxed, at which point reality bites back, hard.”
Interesting to see that almost all moody ambient music lately are released with sleeve notes about a dystopian present, social degeneration, meaninglessness of communication, an evaporating trust in anything or anyone, and so on. One thing to note here is that these are not about dystopian futures anymore, but a dystopian current state. The other thing is that there are no megacorporations, alien intruders, getting lost in seventeenth dimensions, or black magic, all the various tropes of dark ambient are gone today, and everything is just a large blur of resignation, pointlessness and disappointment of people, our lives, the world.
The first EP I called ambient electronic, this one expands that with dubstep and moody melodies. Interestingly the track Taste of Metal was probably aimed to be a heavy hitting grime spitter, but listening to the vocal version I guess it’s lucky that the album features the instrumental one. No words are needed on this record, really. It’s much better as a music-only backdrop soundtrack for a dark room with dim light.
Lot of stuff from the past few decades mashed together and it is a blast. In a way it’s like watching Stranger Things: it draws pretty direct inspiration from certain sources but still creates something for the now that I can interpret as the product of today. This music is many things from leftfield through techno to breakbeat, but it couldn’t have been written in those past eras because we needed to take that journey and get to the now with all these stuff in our heads to have this mash-up today. I am probably over-explaining this for the RA review that I’ve just read which lacks originality. Anyway, I don’t. I think FJAAK is unique in the blend it creates. It sounds like the soundtrack of me growing up. And I would absolutely love to listen to their selection in a party setting.
House music for the day and night. Mostly carefree soulful cruising for when the sun is high, but some tracks are for the night time outdoors dance field with torches burning. This is pretty good, many flavors but all great vibes.
Wow, this is intense, surprising, deep, a journey. Apocalyptic bass heavy rhythmic noise with an industrial feel to it. Bites with sharp teeth and consumes with acid. And this is a debut album, taking off at Raster – not bad, not bad. Reminds me of when Diamond Version was new.
What I like about Burzum is that it’s soothing like My Dying Bride but doesn’t have the doom edge to it. I love listening to The Angel and the Dark River, the only caveat is that it sets my mood and mindset to a specific place. Burzum leaves me where I am, it just provides calmness and space for me to float in. Well, maybe not all Burzum records, but this one and Hliðskjálf certainly are like that.
Coldwave and synth and drum loops. Love the moods, sometimes cheesy but that’s also spot on.
Just like recently going through everything Booka Shade in 2018, I did now the same with Modeselektor. They were not that productive, but the 4th Modeselektion is still not bad, and my favorite of the year was Wealth. Reminds me of the heavy-hitting flow that took me by surprise when The Dark Side of the Sun appeared.
Something like an ageless bridge across nu jazz, ambient electronica, soft grooves and laidback head music. Soothing, relaxed, nice feelings, a light and gentle touch on the soul.