Soulwax – All Systems Are Lying

Another record that went from zero to a hundred on my listening charts in something like a week. I had listened to it once or twice previously but it hadn’t stuck with me, and then last week it just did, a lot. At this point it has a guaranteed Top 3 spot in my year-end list.

The whole album is sprawling with musical references from so many things that I love. And it’s not just a few specific things but entire aspects of music that I’ve been getting hooked on and have been loving in practically my whole life. From the post-nu jazz of the ’00s with its artistic and electronic reinterpretations, through the big beat sounds of the likes of The Chemical Brothers or The Crystal Method, and electro-infused electronic music that I have often a hard time to put in a box other than “electronic music”, all the way to leftfield pop that is just meant to be blasting from the radio.

I rarely pinpoint single tracks because I usually like the coherent experience of a full album best. And this is an a-ma-zing album as a whole, no question about that. Still, Gimme A Reason is just a hymn, I am floored by this song. To me, this is the ultimate pop hit of this year. I don’t even remember when I put a single track on repeat for such a long time as this one. And after a hundred replays I still get goosebumps at the exact same timestamps. I can’t talk highly enough about this one, it’s an essential track.

TOKiMONSTA – Eternal Reverie

Soulful hiphop, lounging r&b, quality chill-out electronics. It’s such an understated and elegant album, so good to listen to. Perfect soundtrack to a day when I’m just going about my things and want something to keep me smoothly sailing along.

This has quickly become one of the soundtracks of this year, and by yet another fantastic female artist; this is a women’s year, no question about that.

Felix K – Berlin

I find it surprising to see “drum and bass” as the main call sign for this music on its Bandcamp page (based on self-tagging and quoted reviews). I would have never used that genre here. If I’m looking for one word in that area then rather dubstep, or I’d rather say broken beat rhythmic noise with a techno aesthetic. Although, maybe the latter is just one way to elaborate what dubstep is.

Marie Davidson – City Of Clowns

It’s this fringe kind of electronic music, with an electro aesthetic, electroclash perhaps. It’s exciting and interesting and has things to say, feels fresh and different. It has become my third big thing that I’ve stumbled upon in 2025 (after Heartworms and Ela Minus).

Ela Minus – Día

This woman has been keeping me mesmerized for about a month now. I stumbled upon Upwards randomly and can’t not listen to this album all the time.

Her music has a strong kinship with electropop classics that have this eerie vocal nature to them, like The Knife. However, her personal character, creativity, and connection to the hardware aspect of electronic music production gives me strong Björk vibes, too. And yet, she’s definitely her own thing: it’s not like I get reminded of these other performers and I get back to listen to those, but I stick with Ela’s album and keep listening this.

Beyond the fantastic music her lyrics are also so smart and interesting and artistic. There’s message to be told, layers of ideas to unfold. I don’t even know when was the last time I was looking up and reading lyrics for an electronic music record to understand properly all it has to say.

I do believe this is an album to mark and remember. I’d love to have it on vinyl and put it on display as one of the milestones of this year.