Easy listening house, bleep techno, and electroclash. Casual electronic lounging and catwalk music.
Decius – Decius Vol. II (Splendour & Obedience)
Marie Davidson – City Of Clowns
It’s this fringe kind of electronic music, with an electro aesthetic, electroclash perhaps. It’s exciting and interesting and has things to say, feels fresh and different. It has become my third big thing that I’ve stumbled upon in 2025 (after Heartworms and Ela Minus).
Ela Minus – Día
This woman has been keeping me mesmerized for about a month now. I stumbled upon Upwards randomly and can’t not listen to this album all the time.
Her music has a strong kinship with electropop classics that have this eerie vocal nature to them, like The Knife. However, her personal character, creativity, and connection to the hardware aspect of electronic music production gives me strong Björk vibes, too. And yet, she’s definitely her own thing: it’s not like I get reminded of these other performers and I get back to listen to those, but I stick with Ela’s album and keep listening this.
Beyond the fantastic music her lyrics are also so smart and interesting and artistic. There’s message to be told, layers of ideas to unfold. I don’t even know when was the last time I was looking up and reading lyrics for an electronic music record to understand properly all it has to say.
I do believe this is an album to mark and remember. I’d love to have it on vinyl and put it on display as one of the milestones of this year.
Djrum – Meaning’s Edge
This is what IDM is: playful but experimental. Great little album.
Polynation – Igneous
Electronic music ranging from cinematic ambient through mid-tempo moody melodic beats to dance floor grooves for small sidesteps. They are fellow artists from the same roster as Weval, so that.
It’s kinda ridiculous that I don’t have a good genre definition for this kind of music. I always feel it hard to put a label on it, although it’s clearly a thing.
Jamie xx – In Waves
This is a really amazing record, beautiful tracks from start to finish. I haven’t been a Jamie xx fan, but this converts me. It makes me realize he’s one of those guys, like Chemical Brothers, Crystal Method, Orbital, and so on. It’s electronic overground music of the best kind.
Vakhtang – Parallax 20xx
It’s a long record (2+ hours), varied electronic music, from techno to trance to bass music, from mid to high tempo. It’s like someone emptied the drawer and poured it into an album.
Fat Dog – WOOF.
Industrial electro-punk, eclectic as it should be. This vibe and zest brings me joy, makes me smile. I’d love to see this band live.
The Black Dog – Other, Like Me
These guys are churning out new albums like a factory, and what’s socking is that none of these records feel like coming from a conveyor belt. This one’s on the darker side, introvert slow to mid tempo techno, some fine IDM noises, some industrial touch, some nice synths. It’s very well crafted electronic music.
Peggy Gou – I Hear You
This is such an amazing, carefree, summer breeze of an album. House for the most part, with hints of other electronic stuff.
It’s interesting that if I think of Gou I have this up-and-coming talent in mind who’s at the peak of her rising but still connects more with the underground scene than the mainstream. But in reality she’s the only current female DJ on the DJ Mag Top 100, appeared on cover of a whole bunch of fashion magazines, plays sold-out stadiums, runs her own festival, etc. She’s nowhere near being an underground name but a massive global sensation, I’ve just missed to follow the news. Although whenever she played in town in the past two years it was always sold out and I couldn’t get to see her live, so that should have been a hint.
Anyways, and still, this album doesn’t show any signs of self-imposed pressure. It’s very impressive how she seems to dictate and follow her on rhythm instead of trying to fit herself into boxes where I’m sure people would like to see her. She’s truly a star.