Industrial electronics and beyond that goes through a wide range of styles from EBM through breaks to psytrance. It is like an amazing soundtrack to a cyberpunk videogame that I’d love to play. I’m sure Planetdamage would like to imagine people walking through neon-infused city nights while listening to it, but it’s a perfect companion for pushing work, too. The only downside is the vocal, which on the full length gets somewhat tedious because of it’s monotone sound, but since the Bandcamp release has the instrumental version included that’s what I have on replay.
This is easily one of my most influential albums that I came across in 2020. Modern technoid EBM with bubbling analog synths and tight industrial beats. It has all the dark beauty of any oldschool EBM but without the spotlight mainstreamism of some retro abusing modern electronic music. They are to EBM what Led Er Est was to post-punk goth rock—something new that understands the roots and fully lives in the present. Wonderful, fantastic music, soundtrack of my life material.
Absolutely classic EBM. Some tracks are more on the rhythmic noise side with raw and metallic synths, while some are more about vocals and melodic futurepop. But all in all it has most that I love about electornic body music. Fantastic cover photo, too.
It sounds like a classic industrial-EBM album from many years ago getting a remaster in 2020 with a techno heart. Sounds like an abandoned factory, heavy beats, greasy and steamy noises, distorted synths, slow marching rhythms. It is something not new but refreshing to hear. This could only possibly come from Berlin, has a cosy home at Ostgut Ton.
I call this avantgarde sailor EBM. And I don’t even know why I sense any trace of EMB around here, but somehow I feel that this has some kind of an odd relation to it. This thing is hard to explain, but there are some tracks that I just cannot keep re-listening. And this is my one post so far that could best make use of a smiley. This music demands a smile – it’s hilarious. Oddly though, it’s not a completely comedic way of hilarious, it’s just fun, easy, and non-serious. Probably not completely coincidental that it keeps reminding me of Eläkeläiset.
Not an innovator but a pretty good industrial electro-metal record, like in the footsteps of Rammstein but more on the party industrial side of things. I listened to a whole bunch of new releases from the industrial and EBM domains, I wanted to highlight some great surprises, but there were not much to mention at all. This one however is easily one that I am happy to relisten.
It’s a more agressive tone of EMB but not like TBM, more like going towards the industrial metal of Ministry or something electropunk.
This sound is so recognizable. Intersting how this does not translate outside headphones for me. First listen of Let It Begin with headphones felt like my head exploding (in a good way). Re-listening it on loudspeakers of different kinds just didn’t give the same vibe back. I guess in a club it would be good again. Anyways, headphones it is. Sidenote: great album cover photo.
RA writes “Hayden Payne’s records package the lunging ferocity of EBM and industrial into a sound you could loosely describe as techno.” Ex-act-ly what I had in mind, all these three cornerstones just like that. I also like the idea that this came through Ostgut Ton.
Was actually first listening to the 2016 album Looking Skyward which is an okay synthpop record but then went back to this first EP and that’s much better industrial electro and EBM. So this.