Wish I Was Here (2014) and A Good Person (2023)

It seems like Zach Braff has a ten year cycle of taking the time to do one of his own movies, when he’s both writing and directing. Garden State, his first one from 2004, is somewhere in my Top 100 of all time; it speaks so much to my heart, with music from my childhood, and the “going back to my little city” vibe that I do myself every once in a while.

Wish I Was Here was on my backlog for a while, and I finally watched it, although it’s nothing even remotely close to his first flick. Honestly, it’s kind of a mess, especially being all over the place from a directing perspective, so not a great credit for Braff. The only thing that saves the movie is the typical Zach Braff heart-and-soul that I can feel all over it, and that makes it likable at least. But likable, as an ugly little dog that I wish the best for.

And after this one did I see that there’s a new movie he did just last year, which totally went past me. Maybe because he was not playing in it, so his face didn’t jump at me from a poster. Anyways, A Good Person is a strong one. It’s personal, intimate, soul-crushing but also heart-warming, with absolutely amazing acting all over. After the series of “idiotic old man comedies” done by Morgan Freeman, this one brings him justice; it’s a fantastic role played well. And Florence Pugh is just close to being my favorite actress in the past ~five years, so she’s brilliant like what I’d expect.

A Good Person also fits into a line of movies I’ve watched this year, all on the topic of someone battling with addiction and trying to overcome some past tragedy. Films like The Way Back and Half Nelson were beautiful gems I discovered with this theme.

Emily the Criminal (2022)

I loved to see Aubrey Plaza in a drama role, and both her and Theo Rossi killed it in terms of performance. The movie wasn’t an extremely deep ride but rather a “moment in life” thing, but it’s a really good one for what it is.

Solaris (2002)

I’ve been planning to watch this for a long-long time, finally did, and it was exactly everything I expected and wanted it to be. Beautiful and atmospheric sci-fi chamber drama with a very specific and narrow focus, which it executed and delivered brilliantly. Acting, music, direction, cinematography were all spot-on.

I read the book last year and I know exactly how much of that is in here and what the movie misses, and I have no problem with that. I don’t think this movie misses the science part of the fiction for the sake of delivering a space love drama. I think all the science aspect is in there but portrayed differently, focusing on the protagonist’s journey. The same is in the book too, but with a different focus, so this part is not spelled out that much. I loved both takes on the story: the book is great and fascinating, and the movie is captivating and beautiful.

Wayward Pines (S01E01)

Good atmosphere, the Twin Peaks comparison holds some truths. It is great how it keeps me in the dark whether what is reality and what is just imagined or craziness. Then there’s Matt Dillon, whose character as an actor I cannot unlove since Factotum, plays well in this one, too. And Juliette Lewis, come on, who saw her coming, and I am pretty much fond of that mad woman as well.

So, all good so far, up until the end of the pilot. The cheap CGI and the not-so-mystic solution of the setting let me down somewhat. However will give it a shot with one or two more episodes because there are still some unresolved mysteries to deal with which can prove exciting. Will see.

Mr. Robot (S01E01)

Oh. My. God. Seriously. This pilot was just such an insanely powerful piece that I haven’t seen anything like for years on television. In all aspects there is. Cast, acting, story, non-cliché, characters, music, narrative, sounds, editing. Everything. This is a 10/10 start, and I just can’t wait for the second episode.

Edit: about 15 minutes passed since I watched the show and dug up all content about it online. It blows my mind with thoughts and inspiration. I love this feeling so much.