Memory keeper. Mostly music, some movies, series, video games. Obscure darkness meets pop culture glow.
Melodic bass-heavy electronic music, post-dubstep if you will. It’s a beautiful soothing experience. I don’t feel the sci-fi that the liner notes say and the cover’s aesthetic suggests, much more the love and the delicate connection nature of it that the cover’s subject depicts. So it’s not exactly how it looks but rather what it shows.
Techno at heart, mid tempo, lots of bass, some epic melodies, introvert and meditative headspace. Definitely one of the highlights of the year. One ceveat is that it has the potentiall to put me on this downward spiral in terms of mood so I can only digest it with careful measure.
Darkish drum and bass, medium tempo. Not for the dancefloor but for headphones. Could be sci-fi but I’d rather think of cityscapes than empty space.
Bass-heavy slow to mid tempo electronic music. Genrewise it’s a mishmash: the highest percentage is probably house, but it’s changing every other track to dubstep, breakbeat, house, IDM, ambient. Good backdrop for work.
Bass-heavy mid-tempo broken beat. The track Honda Civic is a dubstep candy.
Bass heavy, melodic, dreamy and moody, slow paced but not fully ambient electronics. It explores space, goes under the ocean, travels in the belly of the Earth—all the places where dark is the domain but textures can be observed by some shimmering traces of light.
Downtempo bass music for relaxation and early morning or late night walks.
After last year’s Loma I am traveling backwards in the Throwing Snow discography, and it’s a great trip. At this album I’m stuck for a while now, I keep re-listening it and it just doesn’t clear from my Listen Next playlist. It gives me the goosebumps at certain points, has magical moods, it’s like electronic music with a soul. It’s like Apparat with a more firm grip on the beats, little more weight on sounds, doesn’t take so much care to take all steps with a soft feet. I imagine a creature sliding on ice; it runs to gain impetus, starts off with a quick and light slide, then jumps to feet ending in metal hoofs and slams it on the ice, carving a streak but still moving forward like it was unstoppable.
Wow, this is intense, surprising, deep, a journey. Apocalyptic bass heavy rhythmic noise with an industrial feel to it. Bites with sharp teeth and consumes with acid. And this is a debut album, taking off at Raster – not bad, not bad. Reminds me of when Diamond Version was new.
First got hooked on this one when I was looking for something with broken beats and jungle rhythms, and I was happy to find this record. But then there are quite some flavors of electronics piled up here, all pretty much good flavors.