
Dubstep, like in the good old days.
Memory keeper. Mostly music, some movies, series, video games. Obscure darkness meets pop culture glow.
Dubstep, like in the good old days.
Electronic music on the bass side and with lots of flow and power to it. Based on the most recent Moderat and Modeselektor records, my take is that the Moderat project was great for two records but it should be left behind to shine from the past and Modeselektor should rather do what’s really their thing. This record is as awesome as any other Modeselektor output, instantly wanting to hear them play live and rock the roof off.
Melodic bass-heavy electronic music, post-dubstep if you will. It’s a beautiful soothing experience. I don’t feel the sci-fi that the liner notes say and the cover’s aesthetic suggests, much more the love and the delicate connection nature of it that the cover’s subject depicts. So it’s not exactly how it looks but rather what it shows.
Techno at heart, mid tempo, lots of bass, some epic melodies, introvert and meditative headspace. Definitely one of the highlights of the year. One ceveat is that it has the potentiall to put me on this downward spiral in terms of mood so I can only digest it with careful measure.
Darkish drum and bass, medium tempo. Not for the dancefloor but for headphones. Could be sci-fi but I’d rather think of cityscapes than empty space.
Bass-heavy slow to mid tempo electronic music. Genrewise it’s a mishmash: the highest percentage is probably house, but it’s changing every other track to dubstep, breakbeat, house, IDM, ambient. Good backdrop for work.
Bass-heavy mid-tempo broken beat. The track Honda Civic is a dubstep candy.
Bass heavy, melodic, dreamy and moody, slow paced but not fully ambient electronics. It explores space, goes under the ocean, travels in the belly of the Earth—all the places where dark is the domain but textures can be observed by some shimmering traces of light.
Downtempo bass music for relaxation and early morning or late night walks.
After last year’s Loma I am traveling backwards in the Throwing Snow discography, and it’s a great trip. At this album I’m stuck for a while now, I keep re-listening it and it just doesn’t clear from my Listen Next playlist. It gives me the goosebumps at certain points, has magical moods, it’s like electronic music with a soul. It’s like Apparat with a more firm grip on the beats, little more weight on sounds, doesn’t take so much care to take all steps with a soft feet. I imagine a creature sliding on ice; it runs to gain impetus, starts off with a quick and light slide, then jumps to feet ending in metal hoofs and slams it on the ice, carving a streak but still moving forward like it was unstoppable.