Martin Stürtzer – Protostar

First off, this is a great ambient record. This has been my go-to focus music for the past week the mindset it creates for me is just awesome.

On the other hand, one feeling I can’t shake off is how much of a generated music this could potentially be. I really don’t know anything about Stürtzer, his past work, and process, I just feel like music like this could exactly be the type that can be generated by AI today. I feel bad to think this, it feels like such an asshole thought to have, but this is just what the ambient genre is plagued with today. And if I look at an artist’s discography and I see several records published yearly that kind of confirms the idea; either that this is generated music or music that’s produced on a conveyor belt.

And after having these ideas at the back of my mind I’m going back to listening to the record and think: I still like it, I find it pleasant to listen to, it helps me focus and work and create stuff. So what does that mean? What if this is generated music really? Am I happy with generated music? No, I shouldn’t be. I want to value a true artist’s human output and genuine creativity. But still… What if this just works? Ahh, I don’t know. I hate the AI generated problems of our lives when it comes to art.

Jimmy Svensson – Beyond The Black

Atmospheric dark ambient. It’s like a movie soundtrack and spans a wide range: creepy, eerie, wondering, whimsical. Makes my imagination run rampant.

I’m currently preparing to GM a Mörk Borg adventure and this is an amazing soundtrack to that setting. It’s dark enough to fit the grim world, but also has so much more layers than just the usual doom metal soundtrack that the canon usually suggests, makes the game atmosphere more versatile.

Biosphere – The Way of Time

This is an amazingly good ambient record. I haven’t been so enthusiastic about a piece of ambient release for a long time. Maybe it’s because in the age of “everyone’s a musician” and “AI generated shit”, it’s so easy to flood the web with cheap drones and low tempo loops and slap ambient on it. Then something like the Etna Sessions, the HYbr:ID series, or this album comes along, and there’s no explanations needed, I instantly feel the difference a real artist and craftsman of ambient music makes.

Polynation – Igneous

Electronic music ranging from cinematic ambient through mid-tempo moody melodic beats to dance floor grooves for small sidesteps. They are fellow artists from the same roster as Weval, so that.

It’s kinda ridiculous that I don’t have a good genre definition for this kind of music. I always feel it hard to put a label on it, although it’s clearly a thing.