
There are a few nice tracks and hooks, but overall it’s not a king slayer in the realm of NIN soundtracks. Its biggest merit is to get something new that has NIN on it.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

There are a few nice tracks and hooks, but overall it’s not a king slayer in the realm of NIN soundtracks. Its biggest merit is to get something new that has NIN on it.

An ambient ode to cities made of concrete.

Atmospheric dark ambient. It’s like a movie soundtrack and spans a wide range: creepy, eerie, wondering, whimsical. Makes my imagination run rampant.
I’m currently preparing to GM a Mörk Borg adventure and this is an amazing soundtrack to that setting. It’s dark enough to fit the grim world, but also has so much more layers than just the usual doom metal soundtrack that the canon usually suggests, makes the game atmosphere more versatile.

Soothing glitchy ambient. Mostly with autotune vocals (amazingly I find it comforting here, while I usually hate it), sometimes with bits of chiptune sounds.

Ambient, dub techno, IDM.

This is an amazingly good ambient record. I haven’t been so enthusiastic about a piece of ambient release for a long time. Maybe it’s because in the age of “everyone’s a musician” and “AI generated shit”, it’s so easy to flood the web with cheap drones and low tempo loops and slap ambient on it. Then something like the Etna Sessions, the HYbr:ID series, or this album comes along, and there’s no explanations needed, I instantly feel the difference a real artist and craftsman of ambient music makes.

Drone ambient for focus or sleep.

Electronic music ranging from cinematic ambient through mid-tempo moody melodic beats to dance floor grooves for small sidesteps. They are fellow artists from the same roster as Weval, so that.
It’s kinda ridiculous that I don’t have a good genre definition for this kind of music. I always feel it hard to put a label on it, although it’s clearly a thing.

It’s like the ambient soundtrack of a classic space opera. It’s majestic and grand.

It really is a dreamy, ethereal album. It’s new age, dream pop, and some occasional post-punk mixed in. I was surprised to get this from Trentemøller, but it was a good surprise, it’s a lovely record.