This is an amazingly good ambient record. I haven’t been so enthusiastic about a piece of ambient release for a long time. Maybe it’s because in the age of “everyone’s a musician” and “AI generated shit”, it’s so easy to flood the web with cheap drones and low tempo loops and slap ambient on it. Then something like the Etna Sessions, the HYbr:ID series, or this album comes along, and there’s no explanations needed, I instantly feel the difference a real artist and craftsman of ambient music makes.
It’s the breakbeat I love and remember done now, with some big beat, drum and bass, and video game sound aesthetics. This is such a fun album from the music through the concept to the cover art.
It’s dark like gothic but not black metal or post-punk goth, it’s well-crafted musically but not over the top progressive metal, it’s slow in tempo but not at all doom or sludge. I was a bit confused when they listed things like jazz and dark ambient in their influences, and then, the track The Dress goes into a full-on jazz depart before jumping into a cinematic transition and ending up with a fantastic solo and then the crystal clear vocals arrive… They really have it all. Still, it’s not a mish-mash of things but a perfect amalgamation and genre-bending.
Overall, Messa is just one of those most eclectic dark rock bands that put the sweetest sorrow in my throat. And The Spin is a beautiful album, gives me shivers over and over again. I can easily listen to this on repeat.
Update: I’ve just listened to the previous albums of Messa and now it’s clear why they mention stuff like drone, dark ambient, doom, or stoner as references for their music. There are actual full tracks with these aesthetics on earlier records. However, I think The Spin is a lot more evolved and cleaner version of their sound. It’s not so much all these styles living side-by-side anymore but having a great blend of these sources into one coherent voice.
It’s this fringe kind of electronic music, with an electro aesthetic, electroclash perhaps. It’s exciting and interesting and has things to say, feels fresh and different. It has become my third big thing that I’ve stumbled upon in 2025 (after Heartworms and Ela Minus).
This is a masterpiece in storytelling, and I don’t mean the one-shot setup (that’s another master-of-craft aspect though) but how my understanding got built up during the episodes. First the police’s actions seem unrealistically harsh, I couldn’t quite figure out the investigators’ take (are they angry, do they have a personal angle, should they have those things), but then as the backstory develops and more shades of colors get added things fall more in place. By the end it’s just the shock and the question marks remain.
My overall take is that it’s not one person to be blamed for all that happened. It’s not the boy had issues or the parents were shitty. It’s the amalgamation of all those parts: the boy being somewhat troubled, the parents being distanced, communication in the family not happening, social media putting petty mocking under a magnifying glass, children being mean and cruel to each other, education on the use and handling of internet being non-existent, consequences of actions not being understood, and a lot more.
It’s gotta be tough like rock to be a parent these days, that’s for sure.
