
Spoken word British punk.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Spoken word British punk.
This is what IDM is: playful but experimental. Great little album.
Post-punk goth rock vibes.
Brass and percussions playing something that feels like electronic music. Let’s call it acoustic techno. Nod to Brandt Brauer Frick, but with stronger focus on the brass section. I’d love to hear this played live.
Dream pop meets nordic folk.
This band started from death metal and from album to album steered sideways to finally arrive to this absolute classic goth metal sound represented on this last record. The throaty, harsh vocals from their past add an interesting flavor while the clean, deep voiced goth singing arrived to accompany it. I wouldn’t have their previous record on replay, but this one hits home. It’s a set of beautiful dark songs overall.
It’s like the ambient soundtrack of a classic space opera. It’s majestic and grand.
This is a really amazing record, beautiful tracks from start to finish. I haven’t been a Jamie xx fan, but this converts me. It makes me realize he’s one of those guys, like Chemical Brothers, Crystal Method, Orbital, and so on. It’s electronic overground music of the best kind.
It really is a dreamy, ethereal album. It’s new age, dream pop, and some occasional post-punk mixed in. I was surprised to get this from Trentemøller, but it was a good surprise, it’s a lovely record.
Feels to go from the first album‘s jazz sound towards mainstream pop territory. It has some strong hooks, and also some rather quiet, singer-songwriter type songs. I liked more jazz better, but this is still a fine record. Random: Like a Woman is such a great soundtrack song, I could image it played to pieces in movies. The album cover is terrible though, that’s a pity.