Melodic bass-heavy electronic music, post-dubstep if you will. It’s a beautiful soothing experience. I don’t feel the sci-fi that the liner notes say and the cover’s aesthetic suggests, much more the love and the delicate connection nature of it that the cover’s subject depicts. So it’s not exactly how it looks but rather what it shows.
Just that EBM slash futurepop that I would expect from an Assemblage 23 album. The Deluxe Edition’s remixes added pretty much nothing to the experience, so that basic set of ten tracks are fine as they are.
Nu metal with all that you’d expect from a melodic modern metal band. I like these young new bands so much who doesn’t get bogged down by “oh this has been done before” and create something that’s clearly along the lines of a genre that’s sometimes considered past tense and moved over, and still can hit their own voice and create something great.
This record is like a sampler to my current taste in techno. Brilliant tempo, minimal beat, but there’s also hooks and occasional vocal samples. There’s also this trance sound that’s new for me in techno and I’m completely in love with. This is yearly top 10 level of amazing. Makes me miss the dancefloore once more.
It’s either a wide range of sound of artistic expression, or a mishmash collection of pieces from someone’s backlog of ideas. There’s literally every kind of electronic music from slow to uptempo, instrumental and vocals, techno and broken beats, chilling and dancefloor. What it’s not is foreground music, but also because of the variety it serves as a good backdrop mix for doing something, like work or reading.
Industrial electronics and beyond that goes through a wide range of styles from EBM through breaks to psytrance. It is like an amazing soundtrack to a cyberpunk videogame that I’d love to play. I’m sure Planetdamage would like to imagine people walking through neon-infused city nights while listening to it, but it’s a perfect companion for pushing work, too. The only downside is the vocal, which on the full length gets somewhat tedious because of it’s monotone sound, but since the Bandcamp release has the instrumental version included that’s what I have on replay.
Bass-heavy mid-tempo broken beat. The track Honda Civic is a dubstep candy.
This is the case when I find it hard to believe that this is a debut album. If this was the new Fever Ray record I’d be 100% satisfied and rank it among the best of the year. And this one’s a first long player by someone? Come. On. One part mid-tempo club beats with neon synths, other part slow moody songs, and a cold wave atmosphere maintained. Not the sorrow kind of cold wave though, but this introvert little wondering headspace—think Röyksopp or Ladytron.
I’ve just watched the All My Homies Hate Skrillex video essay (pretty good, btw) and got in the mood to listen to some oldschool classics. That’s when I stumbled upon this Skream collection of some unreleased goodies from back in the day. This is also pretty good, btw. Dubstep like I remember.
Peaceful, soothing, ethereal ambient with choirlike vocals. It keeps amazing me what comes out of the Ninja Tune roster sometimes.