Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
My fandom for Paul Giamatti just keeps rolling, I’m on target for the full filmography. This movie felt like one of those “a day in the life of” flicks where we just happen to follow these people along for a bit, taking a sneak peek into their lives. Very well directed and shot, feels lived in.
These guys have one more album besides the one they credit together with Adam Tristar. It’s just as good with beautiful and soft darkwave melodies. I find this album emotionally rich and to go under my skin like good goth music does. Beautiful cover art, too.
Cuteness factor of her voice and the easy-going positive music reminds me of Asteroids Galaxy Tour, but jazz.
When I think of math metal, I think Converge and Dillinger, which besides being very technical are also harsh and chaotic. This is also math but it’s also extremely approachable, much closer to, say, jazz than metal. It’s a very unique record, I love this sound.
Making a note for this amazing soundtrack music for any kind of enchanted adventuring actvities.
Nice to mention this record right after Tides as this is a great example for the same vibe but with originality that I felt lacking there. Nice atmospheres on the slow-to-mid tempo electronic axis with lots of live-sounding orchestration, even more Floex vibes, but the more complex drum patterns and the post-dubstep bassline aesthetics package it into something fresh and exciting. I really like that this is a moody record without the sadness aspect—it’s like watching rain through the window but with inspiration and wondering. Actually it’s also like a new take on nu jazz.
This has been my soulful positive energy music for the past few weeks. It delivers instant Saturday vibe on any day of the week.
This became my go-to album lately, I listen to this literally every day. It is so calming and helps me focus like close to nothing. The interesting bit is that exactly that same recently I started to formulate this idea that I don’t like experimental music that much anymore. Whenever I listen to that noizy-glitchy IDM kind of experimental electronics from the more elitist kinds I feel only annoyance and impatiance. Although all the while I’ve been listening to more ambient than ever before, which often comes with drone and weird sounds. So I’m not sure what makes me stick or bounce. I think I appreciate harmonies now. Nice ambient soundscapes and well balanced patterns both give me that. Harsh noize and non-rhythmic sounds don’t. This record is one of the most sophisticated and masterfully crafted rhythmic noize sets out there. Also, this is one of the leading definitions of literal Intelligent Dance Music.
It has a post-rock atmosphere with prog-rock elements but a metal sound. Apparently this is post-metal or prog-metal, which I’m not too familiar with as a genre, probably should be. But then again I guess Tool could fall in this category, too, I’ve just never thought of them this way. And thinking about it this way I ralize the difference between post-metal and prog-metal. Tool is more on the prock-metal side essentially coming from a prog-rock/art-rock angle just adding more metal weight to instrumentation. While The Ocean is more heavy on the post-rock vibe with epic instrumental spaces where massive and rhythm-heavy riffs bridge calm and sorrow melodic sections.
In any case, this is a fantastic record, takes me on a journey, and I definitely want to follow it up with its successor Phanerozoic II right away.
I recently got a batch of suggestions spread along the interesting-weird axis, and this one stuck with me. British dance beats (mostly house) with Nigerian hiphop female vocals. I have this strong feeling that I’m totally late to this party and hits like Fake ID and Ginger must have spinned their fair share in certain parties and radio shows that I totally missed apparently.