Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Beautiful documentary, it warmed my heart to see the friendship between Williams and Spielberg. We were humming every single tune, it’s such a nice trip. And it’s not just a journey through cinema history but also my soundtracks of my life, as I grew up with all this.
This movie was hilarious, I loved it. It’s old and shitty, well, it’s a university project that made it into a flick, but every second is just gold. All of its ideas and jokes are ones that I want to tell people about while remembering the scenes.
The more I learned about the background of this, the more it solidified for me that this is a movie history gem: first film by Carpenter (not a horror but a comedy), first writing by Dan O’Bannon (who then turned it into a serious tone and wrote Alien).
It is also a perfect film club flick: there’s a lot to talk about and must be a blast to watch with an interested crowd or a group of friends.
This move conveys feelings in an amazing way, it makes me feel stuff. I am so sorry for the guy, but then there’s the “actions and consequences” aspect, but somehow I’m still rooting for him so that maybe there’s some kind of hope… At the end, coming back from that fantasy of “what if” I so felt his pain and fear of what’s coming next. Fantastic direction by Spike Lee.
I went to see a science lecture and there was a band playing before, that was Dear Omens. It’s hard to describe the experience when a bunch of science nerds are waiting for a speech about brain functions and what they get is a stage lit with candles, faces painted white, and loud full-on goth rock in their faces.
Besides being extremely surprising, it was also an amazing performance and absolutely impressive music. Listening to the record brings back the memories and it’s a great album, even if a short one. I’m happy that I can remember Fay Ruza’s absolutely commanding stage presence while listening to the songs, that definitely gives the experience an extra edge.
I don’t know whether I’ve ever waited for a debut album so much like this one. I’ve been listening to the singles a ton and was checking the countdown regularly. By the end I knew the date by heart. Finally it’s here, and there’s zero disappointment. The songs that have not been out as singles are as brilliant as the rest, and the whole thing works amazingly well as an album. Coherent, beautiful, unique, fantastic sound, fantastic journey.
If there’s going to be something to take the album of the year title from this one, well, then this will have been a super strong year for good records.
Funniest thing, I haven’t even checked tour dates until a few days ago, when I realized she will be performing in town in two weeks. Could I be any more excited? No, I couldn’t. I feel the vibes of Zeal & Ardor when their debut dropped and I was there in a club concert on the tour, and now I cannot even get a ticket for their arena tour. I feel the same level of rising star here, although I secretly hope that she can be just successful enough to fit into a larger concert hall in a year or two, but without going to the stadium.
Btw, on the note of goth being on the rise, if that is a thing, we may see her leading that trend to a larger audience.
I saw these guys yesterday live and I previously hadn’t listened to a full album, just went on an invitation. It was a very powerful, high-energy gig, mostly dominated by Jeremy Bolm’s stage presence, and lots of stage diving (by people from the crowd, not Jeremy) and occasionally wall-to-wall mosh pit. Touché Amoré is one of those hardcore bands that are just dripping authenticity that I can’t resist.
Now, the day after I’m listening to their latest record and it’s pretty good. I assume as I go towards the previous ones they will get rawer. I’ll check that out.
Kinda dark wave, goth vibes but also to dance to. There are some great tunes in here, and some bedroom B-sides. Schall & Rauch is a favorite, it’s definitely one for the goth disco dancefloor.
I’m hesitant and cautious to jump to conclusions, but based on the number of albums being released in the genre and the general product quality of these, is it possible that the goth scene is making a comeback? I’m very excited for some stuff that I hear nowadays and it’s really a treat how often I get to hear good new music.
Apparently they define themselves as art-disco, but my hook on this record is Dog Dribble, which is rather an upbeat indie rock thing, as I see it. In any case, that song is such a smash hit, and again it’s so not about the fancy technique.
Also, it’s just ridiculous that almost all new records that I listened to and loved this year so far were British ones. The scene is on fire. (Or was at least, last year, since all these albums are from 2024.)
Post-punk sensibility with indie rock vibes and occasional banger hits. The moody songs with the saxophone remind me of Morphine.
Honest, calm, heartfelt, soothing, mysterious. Alternative guitar music. The spoken word bits are the extra gold nuggets that I didn’t expect to find.