
Cuteness factor of her voice and the easy-going positive music reminds me of Asteroids Galaxy Tour, but jazz.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
Cuteness factor of her voice and the easy-going positive music reminds me of Asteroids Galaxy Tour, but jazz.
I don’t often post about jazz records because I rarely listen to new jazz music, which is not nu jazz. This one is soulful funk and jazz, and it was a surprisingly amazing listen; set my mood beautifully to positivity on an otherwise cloudy afternoon. I specifically mention the deluxe edition because of its second record with some extra nice stuff, remixes and some nu jazz sounds over there.
I have another case of Moon on my hands when I listen to the soundtrack album a million times before seeing the movie. This is the best original score by Reznor and Ross since The Social Network, by far. The mixed version is also a blast.
Beatless ambient from outer space, sounds like a sci-fi soundtrack. Just what I’d expect from Golczewski. Great album.
Carpenter just keeps going, I am in awe. I love these records.
It’s mellow, soulful, cute, cozy—all those Four Tet words in my mind. Full of those tracks that I’d put on a mixtape I make for someone I love.
It’s a new find, the kind where it’s obvious from the first track I hear that it’s a match. Great metal sound with a grunge feel to it and strong female vocals. What makes it stick is how honest and human it is. It’s like friends from the neighbouring rehearsal room throwing a concert.
They do this soul-blues-metal whatever the third time, and it still works. I postponed playing this record for a long time because I thought two albums of this was probably enough, but here I am, finally listening to the third one, and it’s still great. It’s rawer and more metal-like than the previous ones perhaps, but I cannot even imagine repeating that smash-in-the-face-feeling of their first arrival when this whole style just blasted into the music scene.
Btw, it’s still hard to believe how ahead of the curve I was being on a Zeal & Ardor concert in a club in 2017, at the very moment when the first album dropped. And now, I cannot get a ticket to their stadium tour in town. But, they deserve all the fame and success, I just wish that they keep going.
I also feel like I don’t want to put them in a box and want them to stay there for ever. I can easily imagine this style to evolve and grow beyond what it is now. There’s already a process there that I see in their three-record span, and this is a band I wish won’t be afraid to reach further and innovate more.
However much time passes, eventually that mood comes when I get back to thinking about My Dying Bride and the need to listen to their music as the soft and soothing pillow my soul needs. And I still haven’t heard all their records, so I always give a shot to something new. This one didn’t disappoint either; gives what I expect, serves what I need, does what they do.
That rare indie record that I get hooked on.