Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
I don’t want to belittle Alva Noto’s amazing art to “work music” but his albums are definitely my best aid in focusing recently. Other than that, this one is yet another fantastic ambient record. Part meditative drone, part nuanced and finessed rhythmic noise.
Angry punk guys playing hard rock. Like someone coming from a hc punk background but evolved and built through the years, playing something more well-crafted today but keeping that punk zest. Especially the singer, I can hear him biting into the mic.
This fits in the row with Mustasch and Motorjesus in the sense that it’s also hard rock and some heavy metal in a blender. I couldn’t name any specific thing why this record should be any standout but still I find myself listening to it repeatedly. These guys sound like those friendly rock and roll dudes, not overpolished, down to earth, honest, just from that next room in the rehearsal place.
(After listening to some album I ended up in this Nordic rock listening spree and still processing the new finds from there.)
Hard rock and heavy metal. It’s as much standard and classic as it is absolutely great at being that.
Stoner rock with some heavy metal spice in the mix. I love this style that comes out of it. It’s a hard rock banger, would love to see them live.
This is such an amazing, carefree, summer breeze of an album. House for the most part, with hints of other electronic stuff.
It’s interesting that if I think of Gou I have this up-and-coming talent in mind who’s at the peak of her rising but still connects more with the underground scene than the mainstream. But in reality she’s the only current female DJ on the DJ Mag Top 100, appeared on cover of a whole bunch of fashion magazines, plays sold-out stadiums, runs her own festival, etc. She’s nowhere near being an underground name but a massive global sensation, I’ve just missed to follow the news. Although whenever she played in town in the past two years it was always sold out and I couldn’t get to see her live, so that should have been a hint.
Anyways, and still, this album doesn’t show any signs of self-imposed pressure. It’s very impressive how she seems to dictate and follow her on rhythm instead of trying to fit herself into boxes where I’m sure people would like to see her. She’s truly a star.
Cuteness factor of her voice and the easy-going positive music reminds me of Asteroids Galaxy Tour, but jazz.
I don’t often post about jazz records because I rarely listen to new jazz music, which is not nu jazz. This one is soulful funk and jazz, and it was a surprisingly amazing listen; set my mood beautifully to positivity on an otherwise cloudy afternoon. I specifically mention the deluxe edition because of its second record with some extra nice stuff, remixes and some nu jazz sounds over there.
I have another case of Moon on my hands when I listen to the soundtrack album a million times before seeing the movie. This is the best original score by Reznor and Ross since The Social Network, by far. The mixed version is also a blast.
Beatless ambient from outer space, sounds like a sci-fi soundtrack. Just what I’d expect from Golczewski. Great album.