Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
This year so far (not too long but still) I heard so many boring records released lately. So this one is officially the first one that sounds interesting, energetic and most of all genuine. Other than that it’s low-fi garage rock shitpunk, like it should be.
Just good vibes. House, positive, weekend chill.
It’s like Portishead remastered with a more current sound. Has weight.
Nice and smooth. Good for work and chilling.
Having a cover like this makes me wonder if this is something interesting, surely theatrical, probably unexpected. The guy is said to be a chameleon but I don’t like all aspects of that making this album inconsistent. Some tracks are blowing my mind (Personal is a new favourite), some are not what I would expect but still great (Body Popping is like that), and there are some that I don’t dig (and no point in listing such). I especially love the ones that have the undeniable mark of Trent Reznor and not because I want to hear him echo everywhere but because Lenman takes some stuff with him and makes it his own and it is really awesome what comes out (hear in Mississippi). All in all this shit is runner-up for my Top 10 in 2017. Again something that I didn’t see coming.
This is a shit album, supposed be punk but it’s just random and bad. Luckily in that randomness there’s a completely unfitting piece called Spit, which is a great triphop track.
Mostly punk. Then punk rock and post-punk. It is raw and dragging with force and wit.
First, band name. Second, post-punk alternative rock. Bit strange, bit otherworldly. Favourite track: Half Sister.
Post-hardcore metal thing but with an alt-rock low-fi tone.
In a way the most accessible Four Tet so far, sometimes odd mostly for the house beats, but still magical like always.