
They say alternative, NME says punk, and this is my idea of good indie rock. And a blast first record.
Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.

They say alternative, NME says punk, and this is my idea of good indie rock. And a blast first record.

Timing, Forget the Timing is my latest unescapable earbug for quite some time now. It is beyond my comprehension how this track (and album, for that matter) could be made in 1978. And its story of being rediscovered and reissued by Richard D. James. Mind. Blown.

I listened to all Booka Shade releases of 2018 just recently in the year after and there was quite a bit of output to dig through. Cut The Strings was the long player of the year, and a brilliant and beatiful album at that. But there was a long list of EPs, too, with mixed feelings but definitely more pros than cons. I can totally vouch for all the remix EPs from the LP, and the Quantum Leap and Rosebud EPs.

From the electroclash to the gayest album cover of the year.

That cover.

IDM and ambient. A journey: looking at the star-studded night sky in a wide valley, then taking a trip inside a factory colony on a distant planet, and later back into the open space and nature again.

First got hooked on this one when I was looking for something with broken beats and jungle rhythms, and I was happy to find this record. But then there are quite some flavors of electronics piled up here, all pretty much good flavors.

The fourth quarter of last year was massively dominated by techno for me. Going to a good techno party resurfaced in my life as a force that I am drawn to, and I got to listening to a big chunk of good, dance-oriented techno and house.
This record was one of the highlights of the year’s end. It encompasses pretty much everything that I always loved about good techno music: dark atmosphere, industrial sound (that’s mostly the A side here), and a rolling uptempo beat that drags you along and moves your body even at 5am on the dance floor (which is coming along on the flip side).

All output in 2018 by Laksa is well worth the visit. Mid tempo electronic music, which not special because it’s outstanding, it’s just nice to listen to.

Progressive metal with melodic tunes, like Fear Factory and Disturbed mixed up. Random note: why do all these albums have to have the mandatory shitty cover?