Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
I find it surprising to see “drum and bass” as the main call sign for this music on its Bandcamp page (based on self-tagging and quoted reviews). I would have never used that genre here. If I’m looking for one word in that area then rather dubstep, or I’d rather say broken beat rhythmic noise with a techno aesthetic. Although, maybe the latter is just one way to elaborate what dubstep is.
This is an amazingly good ambient record. I haven’t been so enthusiastic about a piece of ambient release for a long time. Maybe it’s because in the age of “everyone’s a musician” and “AI generated shit”, it’s so easy to flood the web with cheap drones and low tempo loops and slap ambient on it. Then something like the Etna Sessions, the HYbr:ID series, or this album comes along, and there’s no explanations needed, I instantly feel the difference a real artist and craftsman of ambient music makes.
Drone ambient for focus or sleep.
Recently I wrote “this is cold wave“. So this is one as well. And it’s not the post-punk kind but dark and industrial. This is a lot more EBM than goth.
Darkwave post-punk. The track King is such a hook.
Darkwave, dance music for goths.
Cold wave post-punk.
Dark wave goth with all the right notes, classic sound.
This is cold wave.
I don’t know that the fact they don’t (can’t?) properly play their instruments (which includes voice) in most songs is form over substance, an aesthetic choice, or just shows that in this genre it’s not the musical prowess that matters. In any case, it gives the album a noisy bedroom DYI feel.
For goth rock, there’s this triangulation of post-punk to glam-velvet to rocker-dudes, and I could paint the amoeba visualization for all albums based on their style in this triangle. This one’s the least post-punk, and about equal rock-and-roll and glam. This is not goth to be sad about but one to dance to and drink deep crimson wine from large brass chalices by.