Memory keeper. Mostly music and movies, plus some series and video games. Obscure darkness meets pop culture glow.
This is definitely the best electro album I’ve heard in a long while. Amazing sound. Definitely stands on the shoulders of giants that came before, but sounds current and of very high quality. And I love that with today’s standards it can be considered long, so there’s an hour’s worth of material to listen to.
Soothing glitchy ambient. Mostly with autotune vocals (amazingly I find it comforting here, while I usually hate it), sometimes with bits of chiptune sounds.
Ambient, dub techno, IDM.
I find it surprising to see “drum and bass” as the main call sign for this music on its Bandcamp page (based on self-tagging and quoted reviews). I would have never used that genre here. If I’m looking for one word in that area then rather dubstep, or I’d rather say broken beat rhythmic noise with a techno aesthetic. Although, maybe the latter is just one way to elaborate what dubstep is.
This is an amazingly good ambient record. I haven’t been so enthusiastic about a piece of ambient release for a long time. Maybe it’s because in the age of “everyone’s a musician” and “AI generated shit”, it’s so easy to flood the web with cheap drones and low tempo loops and slap ambient on it. Then something like the Etna Sessions, the HYbr:ID series, or this album comes along, and there’s no explanations needed, I instantly feel the difference a real artist and craftsman of ambient music makes.
Drone ambient for focus or sleep.
Recently I wrote “this is cold wave“. So this is one as well. And it’s not the post-punk kind but dark and industrial. This is a lot more EBM than goth.
Darkwave post-punk. The track King is such a hook.
Darkwave, dance music for goths.
Cold wave post-punk.